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Originally Posted by kai
I agree that quite a bit of craftmanship and effort went into making this piece.
However, it just doesn't vibes with me: neither as a traditional Moro piece nor as Malay work. Apart from the weird gandik area, the flow of lines of the blade is as strange as the inlay and the engraved motif at the end of the fullers; the hilt seems to copy a Sulu junggayan but both the pommel as well as the stepped grip area seems kinda off to me; peened over tang or just holding the pommel onto the grip (another unconventional approach)?
If I had to bet, I'd lay my 2 cents on it being a fairly recent reproduction, possibly by those busy Madurese artisans? Any signs of modern glue at the pommel/grip attachment or for setting the blade?
Regards,
Kai
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Agree, there is something wrong here ...
I think it's maybe post 1950's
Kembang Kacang is all wrong, way too diminuitive .
