Ethnographic Arms & Armour - View Single Post

Amuk Murugul · 3rd February 2011, 05:36 AM

Hullo everybody,

Interesting post .....
I would start with trying to determine when and where that type of grip was created. That would give me a clue as to whether it was Soenda or Djawa in origin and whether one culture influenced the other in producing this style.

One musn't forget, as many would argue, that at some time in the past Tatar Soenda south of Mt. Merapi, extended to the western banks of the river Progo (thereby easily taking in Banjoemas).
BTW ..... Banjoemasan is not hard to understand by someone who is fluent in Basa Soenda, which may point to some sort of 'cross-pollination'.

Best,

3rd February 2011, 05:36 AM	#39
Amuk Murugul Member Join Date: Feb 2007 Location: Kaboejoetan Galoenggoeng Mélben Posts: 457	Hullo everybody, Interesting post ..... I would start with trying to determine when and where that type of grip was created. That would give me a clue as to whether it was Soenda or Djawa in origin and whether one culture influenced the other in producing this style. One musn't forget, as many would argue, that at some time in the past Tatar Soenda south of Mt. Merapi, extended to the western banks of the river Progo (thereby easily taking in Banjoemas). BTW ..... Banjoemasan is not hard to understand by someone who is fluent in Basa Soenda, which may point to some sort of 'cross-pollination'. Best, Last edited by Amuk Murugul; 4th February 2011 at 02:57 AM.