Thanks, Alan!
Quote:
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At least 5 of Gustav's 6 examples do show a related and clearly intentional form.
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Please specify which one you hesitate to place into this grouping and why! I assume #4 because the 3 elements exhibit some variation/inconsistencies (possibly to be explained by wear since the garap looks like quality craftsmanship?). It's certainly interesting that the same "rhythm" has survived into considerably later periods.
Gustav, can you add any additional info on this piece? (The TM does not reveal any details/provenance...)
Regards,
Kai