I am completely in accord with Marks observations, and agree, this unusual blade appears to be a 'fighting blade' perhaps a duelling sword aligned to traditional rapiers. It is interesting however that by the period of this sword 1790-1810, most duels had favored the flintlock pistol, which had led to the decline in the smallsword. The fashionable styles did retain fashionable presence as courtwords and dress accoutrements.
The classical style in this example seems to comply with the cut steel styles popular in the Soho, Birmingham area which had arisen in the classical revival style popularized by the Adam brothers c. 1775-85. The urn type pommel, and the voluted designs in the openwork guard reflect much of this classical style, and the beadwork sunburst motif reflects the popularity of beadwork in these cut steel hilts. While this hilt seems to suggest work of the style seen in the pattern books of Matthew Boulton, the most famed maker of this area and period, it is likely 'of the school'. It is interesting to note that he did use the sunburst in his distinguishing hallmarks.
The vestigial pas d'ane rings are exactly as Mark has noted, simply reminiscent of the earlier examples of smallsword, and while these swords ceased essentially as deadly fighting swords by the early 19th century, thier graceful designs still influences officers dress swords and court swords for many years.
Very handsome example!!!
All the best,
Jim
|