Ethnographic Arms & Armour - View Single Post - Manual del Baratero

Chris Evans · 6th October 2005, 08:15 AM

Hi Robert,

When you ask about knife fighting systems derived from fencing, you have to stipulate what type of fencing you have in mind.

Sword play has two distinctly different forms, technically known as that of `single time' and `double time', `time' meaning a distinct phase or movement. Spanish knife dueling, indeed most knife dueling, parallels early sword play . What has to be kept in mind however, is that unlike with swords, fencing with knives will not deliver a victory through the application of mere techniques, as there is much left to chance and other factors. To a lesser extent this also applied to early sword play and was the driving force behind its eventual evolution towards the more scientific `double time' play, which provides a more reliable fight; One that is less dependent on luck and tricks and also less prone to the mutual double hits, entanglements and bloody wrestling matches that plagued rapier and broadsword fights.

For a brief explanation of the two styles I reproduce here an extract from a paper that I wrote some time ago on the rapier. I also would like to draw attention to that early rapier fencing was technically fairly simple relying greatly on the preparation of attacks and attendant deceits and for parrying on a left hand implement was used. Later rapier play was still conducted in `single time' but became a good deal more reliant on the use of the blade for other than just delivering thrusts or cuts. Nevertheless, sword play only attained its current complexity and sophistication with `double time' play.

"The great demarcator in the history of sword play was the transition from fencing in `single' to `double time'. In the former, the preferred tactic was to provoke an attack and counter into the opponent's offense, and (if necessary) blocking the path of the incoming blade with one's own, also known as `covering'; These days this type of counterattack is usually referred to as a `time hit', a `time hit with opposition', or a `covered time hit'. In contrast, in `double time' fencing, the incoming attack is first parried with the sword blade and then followed up with a counter attack, the `riposte'. Of course, the above description is of single swords opposing each other; With left hand parrying implements, as was the rule with rapiers, the action became more complex but still retained the same essential character described above."

It should be noted that full `double time' swordplay became possible only with the advent of the very much lighter and faster purely thrusting small-sword of the late 18th century; Its fight was characterized by leading with the sword arm and leg and the frequent use of the lunge. In contrast, early rapier consisted of leading with the leg opposite to the sword side, holding back the sword and delivering attacks by taking a step forward, called a `pass', with the sword side leg and extending the sword arm. The lunge was rarely used.

Spanish knife play, according to the English fencing authority Egerton Castle, was based on early rapier play, and of course `sans covering', with attacks being delivered on the `pass' and leading with the leg opposite to the sword side. It has to be understood clearly that later sword play, that is, in `double time', cannot not be adapted to knives because they cannot parry on account of their short length. Even the very long, short sword like Gaucho facons and Spanish left hand daggers could not parry reliably for being too heavy and or too short and for this reason were used in conjunction with a cape.

Over the years there were numerous attempts by fencing masters to incorporate sword techniques into knife usage, but inevitably these were reiterations of early rapier or left hand dagger play, as exemplified by the section dealing with daggers in Alfred Hutton's `Cold Steel'.

There were also a few questionable, and in my view unsuccessful, attempts to introduce modern fencing elements such as leading with the knife hand and leg and primarily attacking the opponents knife hand, as done in epee and sabre duels. These techniques are not likely to work against a fighter who does not oblige by leading with the knife hand and in any event such an on-guard position is very risky because of the ease with which the extended knife can be displaced, trapped or by-passed. In fact, the majority of the self defense moves taught assume that that is how the attacker will behave.

I should close with the observation that the majority of movie knife fights are based on re-hashed `double time' sword fencing moves and are intended to be mere entertainment rather than a exposition of a sound way to duel with knives.

Cheers
Chris

6th October 2005, 08:15 AM	#69
Chris Evans Member Join Date: Mar 2005 Location: Australia Posts: 661	Hi Robert, When you ask about knife fighting systems derived from fencing, you have to stipulate what type of fencing you have in mind. Sword play has two distinctly different forms, technically known as that of `single time' and `double time', `time' meaning a distinct phase or movement. Spanish knife dueling, indeed most knife dueling, parallels early sword play . What has to be kept in mind however, is that unlike with swords, fencing with knives will not deliver a victory through the application of mere techniques, as there is much left to chance and other factors. To a lesser extent this also applied to early sword play and was the driving force behind its eventual evolution towards the more scientific `double time' play, which provides a more reliable fight; One that is less dependent on luck and tricks and also less prone to the mutual double hits, entanglements and bloody wrestling matches that plagued rapier and broadsword fights. For a brief explanation of the two styles I reproduce here an extract from a paper that I wrote some time ago on the rapier. I also would like to draw attention to that early rapier fencing was technically fairly simple relying greatly on the preparation of attacks and attendant deceits and for parrying on a left hand implement was used. Later rapier play was still conducted in `single time' but became a good deal more reliant on the use of the blade for other than just delivering thrusts or cuts. Nevertheless, sword play only attained its current complexity and sophistication with `double time' play. "The great demarcator in the history of sword play was the transition from fencing in `single' to `double time'. In the former, the preferred tactic was to provoke an attack and counter into the opponent's offense, and (if necessary) blocking the path of the incoming blade with one's own, also known as `covering'; These days this type of counterattack is usually referred to as a `time hit', a `time hit with opposition', or a `covered time hit'. In contrast, in `double time' fencing, the incoming attack is first parried with the sword blade and then followed up with a counter attack, the `riposte'. Of course, the above description is of single swords opposing each other; With left hand parrying implements, as was the rule with rapiers, the action became more complex but still retained the same essential character described above." It should be noted that full `double time' swordplay became possible only with the advent of the very much lighter and faster purely thrusting small-sword of the late 18th century; Its fight was characterized by leading with the sword arm and leg and the frequent use of the lunge. In contrast, early rapier consisted of leading with the leg opposite to the sword side, holding back the sword and delivering attacks by taking a step forward, called a `pass', with the sword side leg and extending the sword arm. The lunge was rarely used. Spanish knife play, according to the English fencing authority Egerton Castle, was based on early rapier play, and of course `sans covering', with attacks being delivered on the `pass' and leading with the leg opposite to the sword side. It has to be understood clearly that later sword play, that is, in `double time', cannot not be adapted to knives because they cannot parry on account of their short length. Even the very long, short sword like Gaucho facons and Spanish left hand daggers could not parry reliably for being too heavy and or too short and for this reason were used in conjunction with a cape. Over the years there were numerous attempts by fencing masters to incorporate sword techniques into knife usage, but inevitably these were reiterations of early rapier or left hand dagger play, as exemplified by the section dealing with daggers in Alfred Hutton's `Cold Steel'. There were also a few questionable, and in my view unsuccessful, attempts to introduce modern fencing elements such as leading with the knife hand and leg and primarily attacking the opponents knife hand, as done in epee and sabre duels. These techniques are not likely to work against a fighter who does not oblige by leading with the knife hand and in any event such an on-guard position is very risky because of the ease with which the extended knife can be displaced, trapped or by-passed. In fact, the majority of the self defense moves taught assume that that is how the attacker will behave. I should close with the observation that the majority of movie knife fights are based on re-hashed `double time' sword fencing moves and are intended to be mere entertainment rather than a exposition of a sound way to duel with knives. Cheers Chris Last edited by Chris Evans; 6th October 2005 at 12:09 PM.