IT WOULD BE NECESSARY TO FIND PEOPLE WHO UNDERSTOOD THE CRAFT TO JUDGE IT BE IT SWORDS OR CERAMICS. A KING MIGHT BE A POOR JUDGE OF BLACKSMITHING SO LET THE MASTER BLACKSMITHS JUDGE NOT THE ELITE. THE OTHER PROBLEM IS WHEN ONE MAN IS JUDGED A NATIONAL TREASURE HIS WORKS MAY BE SOUGHT BUT HIS APPRENTICES HELD IN DISDAIN, SO WHEN THE MASTER PASSES THE APRENTICE MUST FIND OTHER WORK TO LIVE. IN ITALY THERE IS A VILLAGE CALLED PERENSANTIA (MAY HAVE MISPELLED) IT HAS BEEN A CENTER FOR FINE MARBLE CARVINGS FOR HUNDREDS OF YEARS, THE OLD CARVERS WERE DIEING AND THERE WERE NOT ENOUGH YOUNG APPRENTICES TO REPLACE THEM. I READ ABOUT IT YEARS AGO SO DON'T KNOW IF THE TRADITION STILL GOES ON OR NOT. ANOTHER THING CUTTING BACK ON FINE ITALIAN MARBLE CARVINGS IS THE USE OF CAST STATUES AND CARVING FROM VERY SOFT ROCK THEN COATED TO REPLACE ERODED ARCHITECTUAL STATUARY. IF IT IS DIFFICULT TO KEEP A OLD CRAFT THAT IS STILL IN USE TODAY, IT WOULD BE MORE DIFFICULT TO KEEP SOMETHING THAT IS NO LONGER PART OF THE TIMES GOING. VERY HIGH QUALITY EDGED WEAPONS AND ARMOR OF ALL KINDS COME TO MIND
ONE WAY TO KEEP SOMETHING GOING IS TO PROMOTE IT AND GENERATE A DEMAND AND MARKET FOR THE ITEM AND SEE THAT PEOPLE ARE PROPERLY TRAINED AND QUALITY MANINTAINED. ANOTHER IS TO HAVE A CULTURAL TRADITION AND TO SEE THAT IT IS KEPT AND HONERED THROUGH THE YEARS, THE KERIS AND SAMURAI SWORDS COME TO MIND HERE.