Hi all,
First of all, I have to admit that I'm not an expert on Sundang (or anything else, I believe
), and I don't have all the answer.
Just as Mr Antonio Cejunior said, the Ricikan (or 'lattice work'
) have meanings, at least in Java. I don't know whether this philosphical meanings may apply to other blades from other region like Bali, Bugis, Malay or Moro. But since many experts believe that keris' origin was from Java and spread-out to archipelago when Majapahit kingdom reign (ca. 12/13 C.), it might be helpful to study the Javanese keris, as an aid to understand the meaning of the form, in this case, the lattice work.
Secondly, I have to warn all of the forumities that these kind of meanings are very subjectives, and may change from time-to-time, even from person-to-person, as 'pusaka' is always a private matters. This meaning usually passed by orally from generation to generation, so a good-old literature may not exist. The oldest reliable literature about the meaning of ricikan/dhapur keris is Serat Centhini, written ca. early 19 C. Other was written by Prince Karanggayam, ca. 16 C., but it's authenticity/reliability is questioned. So, the meaning I propose here is "as told by" the elders, and may not apply to as far as Majapahit era. Tracing the real meaning of it in Majapahit era could be very hard, if not impossible, since no reliable written evidence known about it exist.
Now about the ricikans :
The Elephant's trunk look-alike (pics.3 by Mr. Pusaka) called "sekar kacang" (sekar=flower, kacang=peanuts) or telale gajah (elephant's trunk). It's curled shape symbolize humble and man's obligation to worship The Almighty. Other non-curled shape called "Sekar Kacang Pogok" (broken) symbolize "dignity/proudness" and reserved for upper rank/class, as in dhapur Pasopati. The Upper class is (surely) expected to show their dignity and authorities to keep the obedience from his community, and thus, may maintain order.
The Jalu Memet (Jalu=taji=cockspur, memet=hidden) is the thorn-like protruding in the 'armpit' of Sekar Kacang (in the 3rd pics posted by Pusaka). Symbolize "the man cockspur" (just see it inside your brief,
). It should keep hidden, and use it in "the right way at the right place and in the right time" (with the right partner, indeed). The teaching behind it may go on and on.
The thorn-like protruding below the Jalu Memet called "lambe gajah" (lambe=bibir=lips). It symbolize the mouth, the teaching is simple : "watch your mouth/words"
Now the other side.. The Greneng (the lattice works on the right part of 1st pics by Mr. Antonio).
The Greneng consist of several ricikans :
The very first, single thorn, (just after the blade meets the ganja/crosspiece, pics. 1) called "thingil", means small things, symbolize as it means, the teaching is 'do not ignore the small/trivial things, keep the open and keen mind'
Pair of thorn just after the thingil called "ri pandan" = pandanus thorn. I don't know what it's meaning, yet
Just after the ri pandan, came the "W" shape (or "M", if the tip pointed down) called "ron dha". It resembles the "dha" characters in javanese 'font'. Just after 1st ron dha, came the ri pandan again, then the ron dha again, then double thorn of "kanyut" resembling the "Ma" characters (some book may define Kanyut as a curled-tail ganja). The double "ron dha" assembly called "greneng sungsun"=double/stacked greneng. All characters could be read as "dhadha ma". Serat Centhini interpret this as "The Death (MAti) is came from/inside your chest (DHADHA)" According to Garret and Solyom, Yosopangarso (elder brother of Empu Djeno, the son of Empu Supowinangun) interpret it as "My Chest likes thunder." Other elders interpret it as "Lapang Dada", means patience/tolerance. The "Greneng" word itself means grumble/complaining.
The whole assembly than could be interpreted as 'Live your life with spirit and patience, do not ignore the small things and do not grumble/complaining about your fate. We all will die after all"
Javanese culture is a very unique. When new culture/value came, they may 'reinterpret' their existing culture according to the new culture rather then completly changing their customs. Thus, the old art/culture may still being kept, but with new "interpretation", as in wayang, keris and other cultural ceremonies.
Wish may help.
Best Regards,
Boedhi Adhitya