[A. G. Maisey]

Yes Jean. Wrong number. Written down correctly, transcribed incorrectly. I was up at 3.30am yesterday, drove to Sydney for a meeting, round trip of about 500 km, came home, watched Zulu, and wrote my post sometime around 1am. It was a long day.

Jean, the tikel alis in the two blades in posts # 10 and # 17 are about as different as Javanese tikel alis can get --- at least, according to what I can see on my screen they are. If we examine the tikel alis in #10 it appears to terminate in line with the tampingan, and in the hand, there would probably be a nicely rounded curved edge rising up into the gandhik. This style of tikel alis is what we regard as the "new" style. Apart from the way in which it terminates under the gandhik, the line of the tikel alis down (or up) the blade appears to curve gently into the blade edge, and to taper.

Now look at the tikel alis in #17. This tikel alis terminates past the tampingan and in the hand it would probably give the appearance of flowing openly through to the front of the keris. This is the type of tikel alis that we regard as the "old" style . Then look at the line of the tikel alis down the blade, it is more or less straight.

Then look at the radius of curve in the tikel alis on both keris:- utterly different.

Then look at the proportion and style of the sorsoran on both keris :- utterly different.

The proportion of the two blumbangans appears to vary.

The wadidang appears to have a different radius.

It is difficult to appraise the shape of a sirah cecak from a side view, but I feel that if we could look at both sirah cecak from above, there might also be a variation in form here, too.

I feel that examination of #10 with a loupe would possibly reveal that the edges of the pamor show a minute gap between pamor layer and core; I doubt that the edges of the pamor layer of # 17 will show a similar gap.

Yes, it is certain that where a blade is not produced by an empu or a pandai keris, variations in style can occur. Variations in style can also occur between equally skilled empus working during the same period, but these variations in style are minute, the variations in style that we are looking at in the two blades under discussion are immense variations.

To anybody who is used to following Javanese standards of appraisal, the differences of style between these two blades is immediately obvious and must place them into two totally separate categories.

If we look at the two straight blades shown in post # 25, stylistic variation is even greater.

If we wish to compare an old Javanese blade that was removed from Jawa 300 years ago, and a blade from the same era, and that we can be reasonably certain is from the same era, that has remained in Jawa, we first need to understand methods of construction and the degree to which rust and cleaning can erode a blade. In effect, we need the experience to be able to mentally reduce one blade, and increase the other. This is not a particularly easy thing to do unless we have had many years experience in the actual handling of vast numbers of blades in varying states of preservation.

Then we have the problem of variations in characteristics that flow from variations in tangguh. Without training and considerable experience it is simply not possible to carry out such comparisons.

A Javanese ahli keris looks at a keris blade with different eyes than those of an untrained person. He looks for a degree of detail that the untrained person is not even aware exists. It takes a very long time to learn the variations in detail that need to be identified. Even then, the most experienced of men can sometimes take a few days of constantly handling and thinking on a blade before being willing to offer an opinion.

Truly, we are knee deep in a very difficult and complex subject here, and one that cannot be addressed satisfactorily at arms length by way of images on a computer screen.

When we come to consider physical size of blade, what we know is this:- keris from Bali, Blambangan, and Banten all have similar proportions. These are the "big" keris. Keris from the western line of development generally are bigger than keris that have come from the inland line of development. It might be theorized that this size was at least in part a product of better availability of material in the coastal communities than in the inland.

Cirebon is on the north coast. It is westwards. It is next door to Banten.

Regarding the "independence" of Cirebon.

In the 15th century Cirebon was just a fishing village. By the early 16th century the location of Cirebon had moved by a few kilometers and the local ruler declared independence from his overlord, because this local ruler had converted to Islam --- probably for the same reason that Majapahit princes converted to Islam:- trade links.

Then Sunan Gunungjati came on the scene, and Cirebon developed as a sultanate and important trading port.

Mataram and Banten both wanted control of Cirebon, and Sultan Agung of Mataram eventually won dominance ( first half 17th century). Cirebon was always a comparatively minor place that was in truth, only a coastal base for Mataram. But this situation only continued for a comparatively brief period, because by the last quarter of the 17th century the Dutch had control of Cirebon. Under the Dutch the administration of Cirebon was split between two or three Javanese lords, the usual Dutch "divide and conquer" policy.

Cirebon began as a fishing village, it developed as an Islamic trade enclave, it had no line of descent from Javanese royalty, it was subservient to Mataram, and then under Dutch control. Is it any wonder that the aristocrats of the House of Mataram had no interest in the keris of Cirebon?

Perhaps modern keris collectors may have some interest in Cirebon, but this is not an interest that has any parallel in traditional Javanese thought or values.