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Originally Posted by kai
Hullo AM, 
Thanks for your comments!
However, this is clearly not a random pamor: this pattern is achieved only by intentional surface manipulation (i. e. boring holes and flattening the billet).
There also seem to be other examples of Sunda blades with "designed" pamor types. Are these just exceptions?
Regards,
Kai |
Hullo Kai,
The view on pamor depends on what school one follows and also on how much of a purist one is. Generally, for the Soenda who were focused on spirituality, the end pamor was incidental, a gift from the gods and accepted as such. There is always the possibility that some people may have designed the pamor themselves.
Also, remember that the Soenda came under Mataram in the 17thC. Thus began 'pan-Djawa-ism' (the Tjaroeban/Tjirebon court became very much Djawa-oriented ; also Banten, but to a lesser degree; this is still so today). This was the time that Mataram awarded kerises as 'medals',resulting in greater creativity in keris-making and pamor-design.
To me, a non-random pamor tends to point more towards a post-16thC period. The quality of the blades also seems to have suffered somewhat as it approached modern times.
Best,