[Jim McDougall]

In "The American Eagle Pommel Sword", Andrew Mowbray, 1988, p.24, discussing Birmingham, England,
"...as diverse as the city's talents might have been, it is clearly revealed by a close reading of the various directories published during the period that nearly all the trades came together at some point to join in the manufacturing of military goods. There was also an extensive cross over between various specialists in order to keep busy. Candlestick makers would have been produced brass castings as well as turnings for muskets, pistols and fowlers and swords when the need for such work exceeded the capabilities of those more intimate to the trade".

In reviewing Robson's revised 1996 "Swords of the British Army", it seems there s a great deal of confusion on the Spanish pattern swords for artillery gunners as opposed to the 'saw back' pioneer type of the same time which he denotes as from 1820. The paintings by Charles Hamiliton Smith and Denis Dighton were with these 'Spanish' type depicted but the works date from 1813 and 1815.

Returning to the possibility of Storr perhaps producing this type of hanger for use in artillery units, these were times of war with Napoleonic campaigns of course, and if he ran a factory in 1807-19 in a partnership, would he perhaps have placed his touch mark in a cast brass hilt?

In photo 4 of my previous post I mentioned Francis Thurkle the silver hilt maker, and found an old article showing his initials in a rectangular cartouche like the one on my PS hanger. As noted, Thurkle placed his 'mark' on hilts regardless of metal used, would Storr have followed this convention?
If it was a subcontract in a partnered company?