I agree as well with Ian and Robert on this item, and the term 'cultural art' is very well appointed in place of the too often used sobriquet, 'tourist'.
After Omdurman in 1898, and the defeat of the forces of the Sudanese Caliphate, thousands of kaskaras and all manner of souveniers were dragged out of these regions during the Condominium occupation.
When supplies of actual battlefield trophies were exhausted, a new cottage industry of supplying the souks with simulated items was created. Actually many spear heads and other items were made in Birmingham, England.
Often kaskara are found made of steel from truck springs and railroad yard scraps, many from sheet steel still reflecting English company stamps!
Many of these 'anatomically' decorated examples of weapons fall into these categories, however many of the original examples, less elaborate, were probably in actual use. Crocodile hide is indeed totemically important tribally in Nilotic tribal perceptions.
The thuluth on these blades seems of course imitated, from original script though, and while the dagger hilts seem replacement. The wrap on the hilt is atypical, and it is unusual to see daggers as part of sword scabbard.
The whole assembly does seem of good age, and not usual to see use of crocodile anatomy in this degree, though it does occur.
I had one with the hilt entirely of a crocodile hilt, and the scabbard its hide (my wife hated it!!). The slave trade in Darfur particularly in remote areas remained in place regardless of the occupation etc. I have often wondered if perhaps these gruesome and macabre assemblies might have been worn by bosses or traders in these contexts, a psychological and totemic signal of power ? The crocodile is of course greatly feared and respected and use of its hide etc. imbue with such power, as I have been told by a Fur tribesman I once knew.
Not for 'fighting' but 'shock' and power value....interesting Brian!!!
|