View Single Post
Old 7th July 2013, 06:57 PM   #38
Maurice
Member
 
Maurice's Avatar
 
Join Date: Jan 2007
Location: The Netherlands
Posts: 1,324
Default

Quote:
Originally Posted by A. G. Maisey
My area of confusion is this:- what is the connection between Lombok and some unidentified location in Sumatera? Why Sumatera and then the jump across Jawa and Bali to Lombok? I might be missing something here, but I can find neither logical cause nor sociological connection for this very wide placement of the same style of sword.
One connection could be the Dutch, who were present and travelling between the Indonesian archipellago isles in very early days and for long time, and also often there were native people with them on their travels to other islands. From here we allready would have a link, and therefore a connection of intercultural "pollination" and "copying" of for instance swords....



Quote:
Originally Posted by A. G. Maisey
In respect of the sword that generated this thread, I have often seen this type of calligraphic ornamentation, and mock calligraphic ornamentation, on various types of Indonesian weapons. Inlay of this type has most often been done very recently with the sole purpose of increasing the commercial value of an otherwise unremarkable item. The two places where I know this "enhancement" to be carried out now and in the past are Surabaya and Jogjakarta, but it is undoubtedly done in other places also.
Therefore we need an explanation of the text by somebody.
From there we could say more about it. If somebody would use a "mock calligraphic ornamentation", I don't think it would be done so intensive and so fine as on this pedang.
If you have seen often "this type of calligraphic ornamentations" as you mentions, I would like you to post some images here for comparison if possible.
I also have images from pedangs (of other collections, and therefore not propriate to post here), of which I'm sure it's definately not as old and finely done as mine. Also it's done much more crudely, and not so intensively.
In comparison with the one in this thread, I never have seen a pedang ornamented as labour-intensive and decoratively done as this one. So I doubt it's only supposed to be a "mock calligraphy".
But this is only from my common sense and I would love to know more and it might be when we have a translation...

Thanks for your input!

Maurice
Maurice is offline   Reply With Quote