Quote:
Originally Posted by Jim McDougall
This is really interesting Peter! and I had not thought of tughra being incorporated into scabbard designs, being more familiar with these occurring on Ottoman blades. While it is often assumed that such scabbard leatherwork designs were aesthetic here we see an actual symbolic motif.
On the scabbard of mine, most leather has disintegrated, but I am wondering if the same degree of decoration existed on the ceremonial 'dance' sayf which was produced with flexible blades for the dynamics of the dance.
Obviously, the personal status Omani sayf with European blades would have been afforded such decoration.
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Thanks Jim, This is a good point and worth reinforcing...Said Sultan took a long time to relocate his Oman capital to Zanzibar and a lot happened in the meantime for example with design of certain artefacts. Sheherazad had done a number of things including a completely new Khanjar hilt where it was to become the Royal Khanjar (see Omani Khanjars )
This design was adopted for the basis of a new Royal Hilt on the Sayf Yamaani. Also on Forum...
A new camerbund was deigned and a new turban both in Royal Colours. The Terrs was ordered to be carried with the Dancing Sayf... thus can be seen with that sword in slave merchant groups on Zanzibar and with guards around Muscat for pageants only and heralding The Sultan, Eids, weddings etc...The sword next in line to appear would be The Kitara and that would also be worn with the Terrs often slung across the back.
Regards, Peter Hudson..