Quote:
Originally Posted by Green
I've been to quite a few keris exhibitions in Indonesia over the years - in Bali, Jakarta, Jogjakarta, Medan, Bone Sulawesi among others. This practically covers all keris centres in Indonesia. This means that basically there are no taboos regarding displaying personal pusakas. The preference to show or not to show your kerises are just that. Personal preference (for whatever reasons).
Also, in Malaysia, and Southern Thailand (another major keris culture region) they hold keris competition almost annually where collectors and enthusiasts bring their best keris (pusakas and antiques keris) to participate and can be seen by all.Again no taboos about displaying keris in this region as well.
In short, it is just personal choice.
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I believe it might be a little bit difficult to know what keris at one of these exhibitions were actually "pusaka" in the truest sense of the word. It seems to me that in the last decade or so this word has lost much of its original meaning. Keris that were once held as pusaka, but since released, are presented for sale as a "pusaka" keris. This confuses me because i do not understand how a keris that has been released from its kinship group can still be regarded as a pusaka keris. Many dealers these days present every antique keris they are selling as "pusaka". But how can i buy someone else pusaka keris and then say that i own a pusaka keris? If i am not part of the original kinship group how can this keris rightfully still be called pusaka once it joins my collection.
I have never understood the concept of presenting antique keris in a competitive format. New keris, yes, i can see that. Who and what are these competitions rewarding for "best" keris. A long dead empu? While i can certainly see contemporary smiths competing for best in show with their newly made blades, pitting old blades against each other makes little sense to me. It seems that the honour of winning first place in a contest of antique keris is really an award for one's financial status and ability to afford the very best in high end antique keris. Or perhaps it is an award for being clever enough to be in the right place at the right time to be able to obtain such keris. Either way, it is has nothing to do with any particular skill set possessed by the current custodian of the keris.
Considering the keris as an art form, i have always had difficulty judging one piece of art against another. Once you reach a certain level of quality art becomes rather subjective. And if we are indeed talking about people competing with their personal pusaka, keris that actually hold kinship lineage going back generations in one's family, i personally find the idea of judging one person's pusaka against another rather distasteful. But as you say, this is a personal preference.
But no, Nik, i don't believe prohibitions against showing your personal keris to strangers of in public places is in any way the general practice throughout all keris bearing cultures. Alan's preferences are formed based upon the practices of a relatively small group of people. Customs regarding keris have changed greatly as the keris has moved away from it's origin centers.
That said i believe that the vast majority of keris that we see presented in public spaces as "pusaka" are not really pusaka in the original sense of the word. But if one does indeed wish to present the symbol of their family lineage on display the entire world that is indeed their right.