If I am understanding correctly, there was concern about the author of the linked article on teghas and examples of pommel discs bearing solar themes, in that his comments and observations were not supported by references and cites. It seems to me that in many writings on Indian arms, particularly those written from more of a traditional and theological posture by someone indoctrinated in the religion(s) being described, and as far as toward the sword, such academically oriented references are often not observed.
The original theme of this thread has been toward the study of the use of floral motif in tulwar motif, and whether certain symbolism might be present accordingly. The digression to certain astral themes in pommel discs has entered the discussion as some might instead have floral themes en suite with the hilt overall , and the variations are observed as such. We were looking for symbolic convention with such astral themes much in the same manner as floral motif.
While the floral interest used in motif and decoration may have begun early in the Mughal dynasties, it seems that the potential for closer examination into symbolism within these artistic creations was prevalently noted in the album of Dara Shikoh. Though he was not the first Mughal to lean toward syncretic relations between other religions and Islam, he more openly highlighted European influences in art and botanicals. His deep beliefs in mysticism in Sufi as well as perhaps degree of adaption of European occult beliefs filtered through their herbals, volumes of these ideologies, led to his ultimate demise as a heretic.
Those dynamic conditions are perhaps a leading situation as offering some clues toward the use of floral motif in Mughal art and weapons motif, at least in that particular period. The other circumstances with Jahangir it seems were more aligned with dynastic leitmotif and a less dimensional content, while the Dara Shikoh period offers other more intriguing possibilities.
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