There is of course another part to the equation; In respect of the attempted fusion in artwork and Islamic script and in the general subject of the Mystic involvement Daro Sikoh was attempting in bringing together the two religions of Hinduism and Islam there is plenty to be concerned about. Aurangzeb set out to annihilate the entire family of Daro Shikoh but not content with that destruction he ordered his artists to seek out and obliterate the records...Paintings were removed and destroyed; entire or huge parts of complete portfolios vanished. Where Islamic script was included it was painted out in gold paint. The records were smudged and history was given another spin contorting all that had transpired. What we are left with are remnants of the true story and it is for this reason that authors have so little to report...because it has been changed stolen and destroyed. That is the real reason why it is so difficult to fathom...
On a lighter note simple artwork of the Hindu style can be found in geometric subject matter in many Indian households for example in the cyclic form below...
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