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Old 10th September 2013, 05:18 PM   #101
Iain
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Join Date: Mar 2010
Location: Olomouc
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Quote:
Originally Posted by Ibrahiim al Balooshi
Salaams Iain~ You may, as you wish, and at any time give up... that is none of my business... do what you will, however, I'm not giving up.
There's a lot of repetition on these threads meaning there's little point posting at the moment as there are several perspectives which are in complete opposition. I look forward to further discussion after you've had a chance to pursue your inquires with the museums local to you.

Quote:
You have asked me several times about this European collections situation and looking back I think I have indicated my position and as a researcher here in Oman on the subject of the Omani Dancing Sword. Its an Omani Sword but certainly if I could I would examine European collections pieces. I live on the border of the UAE and OMAN ... It's a long way to Europe and I have, thus, no access to European collections. However, since this is the Bussaidi Dynastic Sword am I not reasonable in searching for details here? It is after all The Omani National Sword !
I'd suggested looking in European collections previously because of the issue of "freeze" meaning a weapon was removed and not changed for a specified period. Providing hard evidence for how the weapon was at differing periods. Hopefully you can find that locally.

Quote:
Your question about European mark is placed here in red;

Why would European style wolf marks be copied in Oman onto a dance sword if the design and legacy owe nothing to European blades?

Do you think that a couple of Omani Dancing Swords with copies of European style Passau Wolf marks indicates some sort of design transference of that sword from European to Omani culture?

Personally; I don't think so at all.

What I think is that blade marks on Omani dancing swords come in many shapes and forms all copied and or stamped/chiselled here... from Indian British Raj, Persian Lion and Sword, wolf marks, talismanic squares, various geometric shapes, stars, to straight applied Islamic marks in Arabic e.g.God Is Great etc etc.

Why do I think they struck the odd blade with wolf marks? No doubt because they admired the mark perhaps of quaility in blades and for quite the same reason they struck talismanic squares on some blades due to superstition/ power to the blade/good luck/protection ... It is a fact that the wolf appears in Talismanic belief here (the abu futtila is often seen with wolf skin applied to the butt) so it could be simply that. I can't see how that implies a transfer in sword design. I have seen wolf marks on the Old Omani Battle Sword but I don't think that implies a European design in that item does it?
It implies influence in the blades via exposure as do some of the aspects I've mentioned in the past. We'll just have to agree to disagree. I'm sure readers of the thread can and will make up their own minds.

All the best,
Iain
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