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Originally Posted by David
Thank you for finally addressing this question. I understand that the term Keris Saras has come to be used to define a keris of a particular form which is said to be based upon a design created by Pandai Saras. We see many Keris Saras which obviously are not the creation of the famed pandai. It has also been my understanding that the same is true of Keris Tok Chu. My reason for pursuing this line is that in this thread you have presented 3 very different forms or dhapurs of keris and have claimed them to all be variations on Keris Tok Chu. I don't see how this is possible. None of them look like my own understanding of this dhapur which is more like the keris presented in BluErf's post #8. So i am wondering what possible claim these 3 keris have to the name Keris Tok Chu? If there was some provenance that these keris were actually made by Tok Chu i could understand them holding the name (though they would still need some kind of name extension to distinguish them). But too my eye these look like 4 completely different dhapurs with BluErf's being the only one that fits the generally accepted design for this particular form.  |
dear david,
like my earlier post, at beginning i was taught keris tok chu is a straight, broad as same like Bluerf's posting. but after met few seniors, attending seminars, forum about keris tok chu, it's have variations. And it's accepted here. it is believed that Tok Chu same like pandai saras did not produce only 1 type/dapur of keris. The problem and different with javanese keris, most northern keris, pattani etc did not classified according to dapur...if it's been classified, like keris tok chu dapur aaa, keris tok chu dapur bbb, it's much easier to understand.
my private collection for keris tok chu with wifiq/arabic