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Originally Posted by David
Yes, it is that minang flavor that had me thinking Sumatra.
Now when it comes to "authentic" i think we need to define our terms. I would like to think that in some respects the keris arts are still active and evolving. If this sheath were to be presented as an old and classic form we might be right to question it's "authenticity". However, if it is recognized as a new sheath form i would have to say that it seems a beautiful and well executed expression of contemporary keris arts and in that it would be quite "authentic".
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Allow me to define it further.. it was presented as an old authentic piece from Nias.. with supposedly age cracked ivory with patina.. Afaik, Nias does not have a keris culture, although to some extent, imported keris blades were used within certain Nias communities.
If the sheath is presented as a new contemporary or a re-worked item, I'm ok with that too.. but if modified and indicated as old, now that's a different story..