Looking further into the choice of the word 'spadroon' and perhaps my query on it should have been directed more toward its semantics than etymology, I found some interesting notes in Egerton Castle's book "Schools and Masters of Fence" (p.207). These would seem to somewhat support my thoughts toward the term being more of a pretentious application used with reference to gentlemans fencing weapons and techniques of the times. Coupled with neoclassic allusion and the cultured elegance obsessions of the gentry, the term seems to have been more of a colloquial term in the sense of a fad of this period referring to cut and thrust.
Castle notes on p.207, "...the Italians and Germans had, it is true, a cutting play of thier own, and from them we took our so-called 'spadroon' or cut and thrust play, but it was practiced with weapons extremely light in comparison with our English backsword".
On p.243, Castle notes further, "...a cutting sword of still narrower dimensions, and with a much simpler guard approximating that of the smallsword was called 'spadroon' in England; it was in fact similar to the German cut and thrust rapier of the 18th century, which has been called spadone or spadrone since the disuse of the regular two handed swords, in the same way as the claymore retained the old name of a very different weapon".
* the reference to claymore of course meaning basket hilt, while the actual claymore was the Scottish two hand great sword.
"...the German spadroon was a regular double edged sword, but any light back or shearing sword was so called in English.
Best regards,
Jim
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