Alam Shah, about half the time I'm dead serious, the other half is split between being facetious and being more or less relaxed.
Of course it makes no difference if Surakarta accepts it or not, and in all honesty it makes no difference if any of the pura in Bali accept it or not. It is a modern piece of very nice art work.In fact both blades are.
What is important is if the current generation of keris fanciers, collectors and wearers accept it or not. Its not traditional, and I can see your point Alam Shah when you say it disturbs the flow, but personally I rather like the motif, execution, and idea.
What annoys me with any motif used in a keris blade is if it is poorly executed. I'm not at all adverse to new ideas. The keris has changed throughout its existence, and this is a strength that has allowed it to survive.But I detest ugliness.
"Duit" has come into Indonesian as one of the words for money.
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