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Old 3rd October 2007, 01:21 PM   #33
Richard Furrer
Join Date: Mar 2006
Location: Sturgeon Bay, Wisconsin
Posts: 149

Originally Posted by A. G. Maisey
Yeah, I could see architectural work paying. Once you use the word "architecture" , or any of its derivatives, cost goes up exponentially.

Ric, maybe you envy some of my experience, but I doubt that you would have enjoyed it very much.

Ain't no money in tradition , mate, and people have to make a living. Empu Suparman never, ever worked on a commercial basis, and did not sell his work, but gave it away. Of course, there was always a reciprocatory gift.

Empu Suparman was my most important teacher, and eventually I became a part of his family, but other empus and pandai keris have also given me a lot of knowledge.

There is some solice in pain (says the fat American ). can be noble.

I bleed regular when making blades...just did last night after the thing was finished..stupid move on my part.

Alan I have been wondering this for you know if there would be intrest in having some empu, or simply bladesmiths, coming to the US for a period of time to demonstrate? I could host them here in Wisconsin (four hours North of Chicago) and take them to a few gatherings. There have been Japanese smiths, Mexican copper workers, and various European smiths who have done this. I will be hosting some Indian smiths next year.
All my attempts to get Indonesian smiths here have come to nothing.

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