This is next kris from poor collection of National Musuem in my city. This time I tried to find some information about it for myself, according to the sites you recommended me in previous post, and through the databes of this forum also.
Anyway I have some question about this piece, and I hope you'll be able to help me
The sheath is made of wood, covered with repoussed, gilt, open-worked brass plate. There are two rock crystals set as eyes, cut very well, I could even say perfectly. The head is a little damaged becouse of lack of two rivets, at the base. There is only one left with rock crystal (probably?) as well.
What I saw, most of sheaths of this type, were covered with plate which were ornamented with repousse, engraving but not with openwork. From European view I could judge it as made quite good or even very good. The floral design contrasts with black velvet under the plate (except the upper part where velvet is lost). I can say it is made very precisely, because of "shading" with little, very little and fine made lines. Take a look at close-up picture - this flower is only 1 cm long. But the flowers itself could be made better I think and I would judge it as class B. It's only European view, probably abstract from regional opinion - so what do you think about it? The sheath is 42,7 cm long (16,8'')
The Mendak is very small, different from what I saw in similiar krises. But again I'm too inexperienced...
The hilt (ukiran) is of typical Balinese type I think. Are they all so thick? Its measurements are: 12 cm long (4,7'') and 16 cm (6,2'') of girth !!! I can barely fit it to my "normal European size hand"
And the blade. It's 35,1 cm long (13,8''). I don't know what to think about it. It looks for me almost as damaged with some acid or corrosion? But maybe it just the way it should be? I'm appealing to your great knowledge. BTW - Ganja is 7,8 cm wide (3'').
And few more questions:
1. What is the name of this god/idol at the sheath. Stone's glossary calls it BONASPATTI. Somewhere at this forum you called it Raksa ulu/Raksa hulu, sometimes just as Rice deity and, at last, more often KALA, "symbol of the rainbow leading people to heaven". So what is the truth?
2. Wood: it's probably called peyet. My question is, what are this stains on it. At the warangka it looks very naturally, while at the ukiran it looks more like it was painted or something. I read somewhere a note about gold painting, maybe this is it?
3. I'm intrested in this floral design - what flowers this could be (European ones I could recognize somehow probably
4. Typical question - is it good or is it bad
- for me it's too hard to judge it properly in any way
Thank you in advance and best regards!