First and foremost, the Arab presence in Hyderabad dates back many centuries, and in the time of this weapon's mounting Hyderabad boasted a large Arab community, not simply mercenaries but merchants and artisans, poets, calligraphers etc. Further information on this subject is readily available online and of course, in books, as I suggested in an earlier post.
As for the sword itself, I think it clear the blade and guard are Persian work which has been remounted. The mounts, consisting of grip, pommel and scabbard, display engraved and repouseed motifs which are characteristic of Hyderabad, i.e. they represent a fusion of Arab peninsular work (visible particularlty in the borders of the mounts) and N. Indian work (visible in the floral sections at the center of the mounts.) I think one can deduce this after examining both Arab and N. Indian silverwork, provided they have access to sufficient examples.
Ham
Quote:
Originally Posted by B.I
hi,
i wasnt even remotely considering joining in this post, as it well outside my sphere and there are more able contributors here that would offer a more interesting opinion.
however, i am slightly confused as to where it is leading.
ham, i do understand your opinion of a hyderabad origin, but i am afraid i dont agree.
there has been a theory of a hyderabad origin a particular type of saif (previously thought to be yemeni) due to the decoration of the scabbard mounts. the theory was backed up by the presence of arab mercenaries in this region during this period.
robert elgood discusses this in one of his books, but i didnt agree then, and have not been convinced since. of course its plausable, as there are a number of these swords present in india and there must be reason for this. to say they are made by artisans in hyderabad for the foreign mercenaries can only be speculation.
there are elements of indian work but again, not enough in my opinion to define india as an origin. the work on these scabards, again in my opinion, is not hyderabadi as i dont feel the decoration even closely relates to the style of the region. hints of india in general, yes, but you can say that with a lot of related cultures.
this point has always puzzled me and i had a long coversation with the author and after thoroughly explaining his reasoning to me, nothing said was even remotely convincing past opinion and possibility. in fact, it was all way too tenuous and without much past scant hints.
yes, there are a number of these swords in india, but with the presence of such a large body of mercenaries, this is to be expected.
i am afraid my library concentrates on india, and only veers off a little onto other regions. if there another source and more backing to this theory, i would be intrigued to hear it and pleased to put peace to never-answered question.
as with all discussions, books should come second to the main location of any potential answers - the piece itself. this piece speaks of many possibilities, but i personally dont think hyderabad is one of them. i look forward you an expansion of your theory.
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