Join Date: Dec 2004
Location: Ann Arbor, MI
I am confused: not so long ago Mahratt adamantly insisted that a painting by the Russian artist Vereshchagin showing a Bukharan guardless saber with 3 rivets was absolutely correct. Now he specifically differentiates Afghani and Bukharan examples according to the number of rivets, with 3 on Afghani and 5 on Bukharan ( exactly what I was saying according to Flindt and personal experience, and what he so vehemently objected to).
Does he have some new data, or did he read some old ones? Or was it just argument for the sake of the argument?