Exactly, and as I noted, the Omani performances called Funun, are actually based on many such tribal rituals before battle, where warriors brandished their swords and built up adrenalin and energy to build up their stamina for combat. This is not confined just to Arabs, Omanis, Baluch and others but seems almost a standard activity in warfare as such preparations are made to face the enemy.
Obviously, as swords became secondary weapons, it is well known that their traditions have remained firmly in place, and there are many 'sword dances' and performances which transcend cultures.
In the Omani Funun, one of the key elements of the performance, is the brandishing and quivering of the blade to produce a resounding whir with many simultaneous blades, and the flash of shining metal.
It is not surprising that such activities with swords, derived from training and practice exercises evolved into startling performances.
In the Elgood reference, it is noted that this katar has a stiffened central rib which clearly would suggest thrust or stab. This of course is keenly the case with this example proposing it as the earliest known example (c 1570).
While this use of the katar may have existed in this time (the deeper origins of the katar form itself may date centuries earlier) it does seem by the time it evolved into even longer versions (up to the pata) it became more a slashing weapon. I believe I earlier mentioned that large numbers of European blades were coming into India by 17th and many were cut down for katars.
The extremely limiting condition of the transversely held grip of the katar and enclosed pata did not lend well to combative action in established swordsmanship techniques, but in the sweeping slashing motions could be quite deadly.
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