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the historian was fascinated by it, to the point of attempting to replicated it in england
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Not just historians, cutlers like Stodart and scientists like Faraday (the famous one) investigated wootz in the early 1800's because it was viewed as superior to the crucible steels in production then. Attempts to duplicate it were also made in France, Switzerland and Russia. According to C.S. Smith in "A History of Metallography", interest waned when local methods improved and the Bessemer process came along and introduced a method of making homogenous steel more adaptable to large-scale production.
An analogy might be drawn between the manufacture of wootz blades and violin bows - The starting material is graded, and the lesser quality stuff is used by production line workers with little care to exploiting the material or fit and finish. The higher quality stuff is worked by th more skilled artisans, and as they work it they grade it further. The bows that are fully realizing the potential of the high-grade wood get more hours lavished on them in fit and finish, as well as gold fittings, the finest horse hair, a signature. The ones that are not working out optimally are still much better than the lower quality wood could aspire to, so they get some attention to detail and silver fittings, and perhaps a signature.
Violin bows are still largely made in a manner that survives from the pre-industrial era, so I think it could be a window into how the ancient steel was worked. The best material getting the most attention and expensive fit-out could also explain the tenfold increase in prices for the best watered blades.