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Old 6th February 2014, 05:23 AM   #9
Ibrahiim al Balooshi
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Originally Posted by David
Perhaps you have missed my point Ibrahiim, which was more about the WAY you presented the information than the information itself.
I would be more inclined to view prestigious museums such as the Victoria and Albert as "generalists" rather than "specialists". They are a museum of art and design that houses almost 5 million objects ranging from fashion and David Bowie to gothic art and photojournalism. I don't think that it would be fair to say that they are "specialists" on the kastane simply because they are a well established museum.
I am not sure what "experts" you are referring to that you would rather leave this discussion to, however i would like to point out that the zoomorphic symbolism of the pommel is the very first discussion point Jim brings up in his recap on the past discussions and i have only posted here because YOU yourself have brought the subject up yet again.

Salaams David, The specific parameters of this thread are indeed outlined at #1 and in each of the three categories of recommended study,(Its Development, Decoration and Symbolism) the design features are dominant.

Naturally when viewing the key area of early European involvement it is important to realise that there are three prisms to look through ... one for each invading nation. Getting beyond the 16th C is in itself wrought with inconsistency not least because of the socio-political nature of the beast.(excuse pun)

The Lion Makara debate has been modified; replaced by a more carefully considered, balanced overview and in sympathy with the religious and cultural traditions of Sri Lanka. The fact is we don't know what form the artists were considering at the time nor whether the artists were working alone or with Portuguese artisans on these Kastane. Can you say that it is a Lion? Can you say you are sure what the artisans were doing in the Kotte Royal Workshops 500 years ago? If so, please do prove it.

It may be noted that simply viewing the hilt from the western ideal of Zoomorphic fails to address the full story since some of the Deities are half humanoid; take for example the little face on the hand guard (half human half crocodile at #2 above) thus they take the form more of the demi-god..though that is also a generalization and since many of the deities transform, change and re enter the equation as a completely different monster type... depending upon what phase they are depicting.

Another half humanoid monster "Kirtimukha" sometimes decorates the Kastane Rainguard see at #56.

Nevertheless the in-depth study of pre 1505 AD Portuguese involvement has yet to be administered on this thread but research and notes are well in hand. What form the hilt actually is may be impossible to absolutely determine but eventually this may be part of the intrigue and only really possible with the insight of some Guru and historical master specializing in Buddhist/ Hindu religious expression.

Ibrahiim al Balooshi.
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