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Old 7th January 2014, 06:26 AM   #9
cornelistromp's Avatar
Join Date: Mar 2009
Posts: 905

Originally Posted by Matchlock
Thank you so much for your kind words, Battara and Jim (in alphabetical order)

Oh, the stories I could tell from backstage ...

Yes, at least about one third of all items in the Wallace Colln. are part fakes or complete forgeries! The staff started to realize a good deal of these facts since our first contacts back in the 1980's but a lot of work still remains to be done.



I absolutely do not believe that one third???? of the Wallace Collection is 100% False or contains faulty components. This can simply not be true!

I'll see the curator Tobias Capwell in february in London at the parklane A&A I will ask him.

​​Anton Konrad made only bladed weapons, swords and daggers, for which he used old blades and other old components, he skillfully "upgraded" the hilts with old techniques.
Iam unaware of any firearm from his hand.

The fakes arms he made are extemely difficult to distinguish from real, often one sees a difference between color and oxidation of the newer hilt and older blade.
at first it was thought that Konrad made the hilt/grip, too big, but research has shown that this was not the case.
The commission to make the falsifications he recieved from arms dealer Kahlert, Kahlert sold these weapons to private collectors and museums, direct and via auctionhauses as Sothebys London with a faked provenance.
The examples and inspiration Konrad took from the museum in Dresden, where he had been given free access to the arms ,this was arranged by Kahlert.
Occasionally I'll still see work from his hand at dealers , in collections and in museums.
For example, a medieval sword and silver hilted saxon rapier in the solingen klingen museum are displayed as work from his hand.

here are some other examples from the Hans Schedelmann publication.

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