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Old 9th July 2013, 01:24 PM   #13
kai
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Join Date: Apr 2005
Posts: 3,255
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Hello Maurice,

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You can see the lamination when having a close look to the blade.
Yup, I did saw those laminations - looks promising indeed! This blade is certainly nice - not sure how likely it was during the 19th century to add extensive scripture to an intricately (non-random) pattern-welded blade though...

My own rule of thumb is that the more script is found on any blade, the more suspicious I should be.


Quote:
The inlay is far from crude, but probably you think so because of the close ups. I never have seen a better inlay on these kind of swords.
I agree that I've seen much worse examples which were obviously modern. However, with low wages in Indonesia even quality work is not neccessarily an indication for something being genuine/antique.

Just for example: In this case, I'd have expected nicer floral decorations. Or none if space were too limited.

I hope we'll compilate more inlaid pieces for comparision here (haven't found any genuine antique example of sword blades with such extensive scripture yet; did not do a comprehensive search though).


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The inlay like this, is done the way it was occurring on other 19th century blades.
There were obviously different techniques utilized (cp. John's sikin panjang blade), so comparision of quality and possibly estimating age would need to account for several variables.


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Sometimes you've got to have it in hands. This one is such piece you can't show it on images. You have to see and feel it.
Yup, I did stipulate this already.


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This in combination with an enormous patina on the handle (which I've not seen often on these pedangs, probably because people cleaning the silverwork and decide to clean the whole handle instead?)
The horn pommel does seem to have really good age; I don't think real patina is much affected by repeated gentle cleaning. I believe that regular handling does help to keep the horn "alive" rather than drying out too much in storage, especially in low humidity.

Regards,
Kai
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