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Old 18th February 2013, 05:41 PM   #7
Iain
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Join Date: Mar 2010
Location: Morava - Olomoucký kraj - Czech Republic
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Quote:
Originally Posted by Ibrahiim al Balooshi
Salaams All ~ As a background piece I have copied below one of my posts from "Kattara for comments" which will continue to be a rich source for study . In viewing the dancing Sayf I questioned many groups of people from all over Oman none of whom considered the straight Sayf as anything other than a pageantry sword. Getting down to the same questions with those that ought to know focussed my attention on known sword makers since they would surely be knowledgeable about this ... The speciality of swordmaking is usually handed down father to son moreover in the profession of swordmakers the likelihood of discovering the true facts must rate as high.

Here is the article ~


Hi Ibrahiim,

Interesting article, however I think it's important to point out the article is purely in reference to modern practices and use of the sword - it's not discussing the weapon in a historical context and in that sense the information it relays doesn't detail either for or against the sword being purely a dance article over the entire life of the form.

For me at least, there are three major areas that stand out with regards to the straight sayf:

1. Why do the blades follow the form of 18-19th century trade blades if they have never used trade blades with this hilt style.

2. Why the application of blade stamps if they have never used imported blades in these style mounts.

3. Given the above, why would the same hilt be applied to combat ready swords only in the context of curved blades with plenty of straight, quality European blades also floating around.

I simply can't see the reason behind going to the trouble of copying a functional blade form, from outside the culture no less, just for the sake of adapting it into a dancing item while happily using curved blades as is. This is absolutely nothing to do with what they are used for now - it's a question of why the form evolved to what it is now and from what. Why this pattern of blade, why the penchant for European style blade marks?

As I've said a few times before on these threads, I don't have any stake in these discussions. These weapons aren't my area and I don't own any. I'm an impartial reader.

Frankly this has nothing to do with the question of combat or non combat - but has everything to do with the notion that the straight swords never used heavier, imported blades.

Cheers,

Iain
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