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Old 23rd December 2012, 10:51 PM   #65
asomotif
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Location: The Netherlands
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Quote:
Originally Posted by A. G. Maisey
Willem, yes, I have read in this Forum many times that the dotted line proves that a material is hippo ivory. Many, many times.

What I would like to know is this:-

1) what is the source of this information? Hopefully it will be a credible source, possibly a book, or paper by some respected authority, or researcher, and with a verification from one or more other sources. I am looking for fact, not opinion.

2) when was this issue of "hippo ivory" relative to keris hilts first identified, and by whom?
Aaarghhh, Detlef beat me. I was busy typing when he added several links. Never mind, I will just continue.


Dear Alan,

1) Cites has a very destinctive interest in ivory and ivory trade.
They describe the dotted line on their website in an identification guide which was published in 1991 by the World Wildlife Fund.
The researcha was done by : United States National Fish & Wildlife Forensics Laboratory, located in Ashland, Oregon.
I consider them a respected authority on the subject.
http://www.cites.org/eng/resources/p...vory-guide.pdf

2) Absolutely impossible to say who first identified hippo ivory in relation to a keris hilt.
Who first identified elephant ivory in relation to the same ?
Who first identified buffallo horn as a material used for keris hilts ?
I don't think anyone can say who first identified these materials.
seems irrelevant to me who identified it first.
Who identifies it now ?, and based on which criteria ?

For me, the first time I came accross this knowledge was probably 9 years ago when I saw a very attarctive rencong for sale at "Aalderink Oriental Art" a gallery in Amsterdam, established in 1929. It is a respected gallery of good reputation.
The owner showed me the rencong which had a massive ivory hilt. He showed me the dotted line and explained that this indicated hippo ivory.
Then from a drawer he took a large hippo tusk that was partly in its original shape and partly grounded to a smooth surface. and there again was this distinctive dotted line.
Although I can be stubborn and headstrong, (according to my wife, my mother, my father and my sister, all respected autorities on the subject )
I just had no reason to question this gallery owners authority on the subject and gladly accepted this little learning opportunity.

In the end, the material is not very important, it is the beauty of the item that counts. but in cases where I can identify the material I see no reason why I should avoid it. And it makes some nice conversation now and then.

Best regards,
Willem

Last edited by asomotif; 23rd December 2012 at 10:54 PM. Reason: typo
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