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Old 28th November 2011, 07:46 PM   #59
Atlantia
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Quote:
Originally Posted by Dmitry
I forget the name of that company, Hollywood House of Props or something like that; they auctioned off hundreds of swords, some newly-made, but many composites with antique hilts + new blades, and vice versa. Bannerman also sold composites assembled from new and old parts.

This company, Hollywood Prop Supply, sells film/stage props which have steel blades, not plastic.
http://www.hollywoodpropsupply.com/NewEdgedW.html

Hi Dmitry,
these are just modern reproduction swords being sold for movie costuming use. Indian made by companies like Windlass, they are primarily just reproductions, readily availabe to the public as such on various websites. Much cheaper now than using the real thing but again, these are NOT for stage combat. They are dressing props, costuming.

There is only a superficial connection to this discussion.

You correctly repeat from my earlier observations that it was commonplace to use real swords that were cheap and plentiful for costuming/dressing scenes and to have modified versions of those same swords (sometimes with their blades replaced) for stage/staged combat.

What you seem to be trying to say is that in a time when genuine swords were plentiful, cheap and readily available in bulk quantities of identical type, or that classic 'rapier' type swords were routinely made from marrying fencing blades with a variety of other hilts, that film/theatre costumers were instead opting for more expensive, intiricate and historically incorrect individually hand made swords that were basically unift for purpose in the configuration that you'd have us believe they were received.
Why order a deadly, unmodified, heavy, military blade on a 'fantasy' prop?
Why have the hilt hand made from steel and not instead opt for (as many were) a cast base metal of flashy design with a 'safe' fencing epee blade suitable for stage combat or costuming?
Show me some provenanced period examples?
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