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Originally Posted by A. G. Maisey
Yes David, I did take note of the film.
Watching a full length movie on a computer screen is not an option for me, not even in 10 minute bites.
However I have read all that I can find about the film. Based upon what I have read, but not seen, and am probably unlikely to see, I do have some difficulty in trying to understand how the matters dealt with in this film could assist in aiding an understanding of what is happening in the mind of somebody when they become involved in the reception of artistic endeavour.
Actually, "artistic endeavour" narrows things too much. My original phrase was "---the appreciation of art and objects---", and this is precisely what I mean. The appreciation can be of anything at all that pushes the right button:- some form of fine art, matchbox cars, old woodworking tools, beach pebbles--- anything at all that strikes a chord in the soul and creates some sort of special feeling.
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Well Alan, it is a bit difficult to explain why i find this film pertinent without you having actually seen any of it, but the film very much deals with what drives the appreciation of art and the concept of fakes vs. "the real thing" and how various people deal with this concept when appreciating art. Elymer de Hory claims that their are supposed "Matisse", "Modigliani" and "Renoir" in museum collections around the world that are actually his creations, that receive praise based upon their perceived authenticity. This seems to very much be something that is in line with this current conversation.
