Adeg tiga (adeg telu, tri adeg) and tejo kinurung are all essentially the same pamor, the difference, if there is one at all, between adeg tiga and tejo kinurung is only in the spacing of the lines of pamor, but those lines of pamor are made in the same way with multi folds of pamor set between heavier layers of iron, and turned side on to produce a pamor miring motif with the three lines of pamor at 90 degrees to the core.
However, adeg wengkon is a completely different pamor to these and it is one of the most difficult pamors to make well. Adeg wengkon consists of a layer of (usually) unfolded pamor material laid against the core, and then the iron with one centrally placed strip of pamor miring laid over the core + pamor layer. Repeated both sides of blade. The result is the wengkon as mlumah, and the single adeg as miring.
I cannot emphasise too strongly how difficult it is to produce a good adeg wengkon --- it appears to be simple, but it is very far from that.
In olden times the Susuhunan of Surakarta would usually give a keris with adeg wengkon to newly appointed bupatis. This was symbolic of the bupati's duty of care to the people for whom he was responsible. The wengkon was the protective power of the bupati, the line of adeg was symbolic of his people.
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