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Rick 23rd March 2014 09:29 PM

Quote:

Originally Posted by Ibrahiim al Balooshi
Salaams All,

Further more interesting variation appears in http://vedda.org/knox-veddas.htm where Knox describes a tribal entity called the Veddas with specially developed axe and bow/arrow. A study of the English captives 20 plus years in captivity inspired Defoe's "Robinson Cruseo" and is a treasure of pictorial and ethnographic details now at our fingertips. :p
The full account needs to be viewed since it is clear that the Vedda were intent on showing a false hand to the English and so as to disguise their actual lifestyle they played to the audience who at the time soaked up all they were fed with..
Regards,
Ibrahiim al Balooshi.

Alexander Selkirk's adventures were the inspiration for Robinson Crusoe ....

Ibrahiim al Balooshi 24th March 2014 07:45 AM

Quote:

Originally Posted by Rick
Alexander Selkirk's adventures were the inspiration for Robinson Crusoe ....

Salaams Rick, Not entirely ~

See Wikepedia http://en.wikipedia.org/wiki/Robert_Knox_%28sailor%29 Quote''During the voyage Knox wrote the manuscript of An Historical Relation of the Island Ceylon, an account of his experiences on Ceylon, which was published in 1681. The book was accompanied by engravings showing the inhabitants, their customs and agricultural techniques. It attracted widespread interest at the time and made Knox internationally famous, influencing Daniel Defoe's Robinson Crusoe as well as sparking a friendship with Robert Hooke of the Royal Society. It is one of the earliest and most detailed European accounts of life on Ceylon and is today seen as an invaluable record of the island in the 17th century.'' Unquote.

I think the word influencing carries enough inspiration to be supportive in the construction of the tale..

Also note from Wikepedia : Quote"Robinson Crusoe /ˌrɒbɪnsən ˈkruːsoʊ/ is a novel by Daniel Defoe, first published on 25 April 1719. This first edition credited the work's fictional protagonist Robinson Crusoe as its author, leading many readers to believe he was a real person and the book a travelogue of true incidents. It was published under the considerably longer original title The Life and Strange Surprizing Adventures of Robinson Crusoe, Of York, Mariner: Who lived Eight and Twenty Years, all alone in an un-inhabited Island on the Coast of America, near the Mouth of the Great River of Oroonoque; Having been cast on Shore by Shipwreck, wherein all the Men perished but himself. With An Account how he was at last as strangely deliver'd by Pyrates.

*Epistolary, confessional, and **didactic in form, the book is a fictional autobiography of the title character (whose birth name is Robinson Kreutznaer)—a castaway who spends years on a remote tropical island near Trinidad, encountering cannibals, captives, and mutineers before being rescued.

The story is widely perceived to have been influenced by the life of Alexander Selkirk, a Scottish castaway who lived for four years on the Pacific island called "Más a Tierra" (in 1966 its name was changed to Robinson Crusoe Island), Chile. However, other possible sources have been put forward for the text. It is possible, for example, that Defoe was inspired by the Latin or English translations of Ibn Tufail's Hayy ibn Yaqdhan, an earlier novel also set on a desert island.

Another source for Defoe's novel may have been Robert Knox's account of his abduction by the King of Ceylon in 1659 in "An Historical Account of the Island Ceylon," Glasgow: James MacLehose and Sons (Publishers to the University), 1911.

In his 2003 book In Search of Robinson Crusoe, Tim Severin contends that the account of Henry Pitman in a short book chronicling his escape from a Caribbean penal colony and subsequent shipwrecking and desert island misadventures, is the inspiration for the story.

Arthur Wellesley Secord in his Studies in the narrative method of Defoe (1963: 21-111) painstakingly analyses the composition of Robinson Crusoe and gives a list of possible sources of the story, rejecting the common theory that the story of Selkirk is Defoe's only source.

Despite its simple narrative style, Robinson Crusoe was well received in the literary world and is often credited as marking the beginning of realistic fiction as a literary genre. Before the end of 1719 the book had already run through four editions, and it has gone on to become one of the most widely published books in history, spawning numerous sequels and adaptations for stage, film, and television".Unquote.

Notes;
*(An epistolary novel is a novel written as a series of documents)
**(A didactic novel that set out to expose social injustice)

Regards,
Ibrahiim al Balooshi. :shrug:

Ibrahiim al Balooshi 24th March 2014 08:28 AM

Quote:

Originally Posted by napoleon
saalams ibrahiim,interestingly the veddhas still exist in ceylon as an ethnic minority of small number i think 500 or so still living a traditional life,just got through reading knox,puts things more in perspective for me, with clear references to kastane and piha kaetta, :)

Salaams Napoleon ~ Its not a bad way of breaking into the subject whilst having a weather eye on the poetic licence of the author..Knox is good background stuff though he appears a little late in proceedings, however, it makes good reading. Well done for ploughing through it ! :)

Regards,
Ibrahiim al Balooshi.

fernando 24th March 2014 08:30 PM

Quote:

Originally Posted by napoleon
... interestingly the veddhas still exist in ceylon as an ethnic minority of small number i think 500 or so still living a traditional life, just got through reading knox ...

Hi Napoleon :)
It looks like they have never been so many :o
I see that Robert Knox arrived in Ceylon in 1659, one year after Portuguese João Ribeiro left the island (captured by the Dutch in 1658), where he has been since 1640. Ribeiro wrote his work (Historic Fatality of Ceylon) in 1680 and this was only published 1685. Although Knox wrote his work in 1681, Ribeiro’s experiences are earlier, especially in what touches local war episodes. However both descriptions of the Vedas don’t differ so much in the essential.
On the other hand, i am surprised in that Knox places the Vedas in the 'Land of Bintan' (Indonesia?), whereas Ribeiro places them in the Northern Ceylonese lands of Vanni, between Jaffna and Trincomalee, in the middle of two separating rivers, along 10 leagues of coast and 8 leagues inland, an area of very dense bushes; and they were so few that within these 10 leagues they wandered in those bushes and almost wouldn’t communicate ones with the others… despite a legend told by locals that would implicate in these people being in large number.
Ribeiro also stresses that they wouldn’t stay in permanent villages. Each family stayed in a place no more than six months, enough to plant seed and harvest the result; then they moved somewhere else.

Jim McDougall 24th March 2014 10:09 PM

Quote:

Originally Posted by Ibrahiim al Balooshi
Salaams Rick, Not entirely ~

See Wikepedia http://en.wikipedia.org/wiki/Robert_Knox_%28sailor%29 Quote''During the voyage Knox wrote the manuscript of An Historical Relation of the Island Ceylon, an account of his experiences on Ceylon, which was published in 1681. The book was accompanied by engravings showing the inhabitants, their customs and agricultural techniques. It attracted widespread interest at the time and made Knox internationally famous, influencing Daniel Defoe's Robinson Crusoe as well as sparking a friendship with Robert Hooke of the Royal Society. It is one of the earliest and most detailed European accounts of life on Ceylon and is today seen as an invaluable record of the island in the 17th century.'' Unquote.

I think the word influencing carries enough inspiration to be supportive in the construction of the tale..

Also note from Wikepedia : Quote"Robinson Crusoe /ˌrɒbɪnsən ˈkruːsoʊ/ is a novel by Daniel Defoe, first published on 25 April 1719. This first edition credited the work's fictional protagonist Robinson Crusoe as its author, leading many readers to believe he was a real person and the book a travelogue of true incidents. It was published under the considerably longer original title The Life and Strange Surprizing Adventures of Robinson Crusoe, Of York, Mariner: Who lived Eight and Twenty Years, all alone in an un-inhabited Island on the Coast of America, near the Mouth of the Great River of Oroonoque; Having been cast on Shore by Shipwreck, wherein all the Men perished but himself. With An Account how he was at last as strangely deliver'd by Pyrates.

*Epistolary, confessional, and **didactic in form, the book is a fictional autobiography of the title character (whose birth name is Robinson Kreutznaer)—a castaway who spends years on a remote tropical island near Trinidad, encountering cannibals, captives, and mutineers before being rescued.

The story is widely perceived to have been influenced by the life of Alexander Selkirk, a Scottish castaway who lived for four years on the Pacific island called "Más a Tierra" (in 1966 its name was changed to Robinson Crusoe Island), Chile. However, other possible sources have been put forward for the text. It is possible, for example, that Defoe was inspired by the Latin or English translations of Ibn Tufail's Hayy ibn Yaqdhan, an earlier novel also set on a desert island.

Another source for Defoe's novel may have been Robert Knox's account of his abduction by the King of Ceylon in 1659 in "An Historical Account of the Island Ceylon," Glasgow: James MacLehose and Sons (Publishers to the University), 1911.

In his 2003 book In Search of Robinson Crusoe, Tim Severin contends that the account of Henry Pitman in a short book chronicling his escape from a Caribbean penal colony and subsequent shipwrecking and desert island misadventures, is the inspiration for the story.

Arthur Wellesley Secord in his Studies in the narrative method of Defoe (1963: 21-111) painstakingly analyses the composition of Robinson Crusoe and gives a list of possible sources of the story, rejecting the common theory that the story of Selkirk is Defoe's only source.

Despite its simple narrative style, Robinson Crusoe was well received in the literary world and is often credited as marking the beginning of realistic fiction as a literary genre. Before the end of 1719 the book had already run through four editions, and it has gone on to become one of the most widely published books in history, spawning numerous sequels and adaptations for stage, film, and television".Unquote.

Notes;
*(An epistolary novel is a novel written as a series of documents)
**(A didactic novel that set out to expose social injustice)

Regards,
Ibrahiim al Balooshi. :shrug:


Beautifully posted Ibrahiim!!! and thank you for all this detail. Quite honestly I had not even heard of Knox before you started posting this material, and for that matter had no idea of these other influences on the 'Robinson Crusoe' classic!
This is the amazing thing about taking the time to research things, and though often digressing from the topic or item being studied, how many other things can be learned along the way.
Thank you for always taking that extra time to thoroughly present these kinds of details!

All best regards,
Jim

Jim McDougall 24th March 2014 10:12 PM

Quote:

Originally Posted by fernando
Hi Napoleon :)
It looks like they have never been so many :o
I see that Robert Knox arrived in Ceylon in 1659, one year after Portuguese João Ribeiro left the island (captured by the Dutch in 1658), where he has been since 1640. Ribeiro wrote his work (Historic Fatality of Ceylon) in 1680 and this was only published 1685. Although Knox wrote his work in 1681, Ribeiro’s experiences are earlier, especially in what touches local war episodes. However both descriptions of the Vedas don’t differ so much in the essential.
On the other hand, i am surprised in that Knox places the Vedas in the 'Land of Bintan' (Indonesia?), whereas Ribeiro places them in the Northern Ceylonese lands of Vanni, between Jaffna and Trincomalee, in the middle of two separating rivers, along 10 leagues of coast and 8 leagues inland, an area of very dense bushes; and they were so few that within these 10 leagues they wandered in those bushes and almost wouldn’t communicate ones with the others… despite a legend told by locals that would implicate in these people being in large number.
Ribeiro also stresses that they wouldn’t stay in permanent villages. Each family stayed in a place no more than six months, enough to plant seed and harvest the result; then they moved somewhere else.

Thank you for this additional perspective from Portuguese resources, which gives us valuable insight from much fuller spectrum. Nicely added Nando!!

All the best,
Jim

napoleon 25th March 2014 05:16 PM

thank you ibrahiim ,fernando and jim,particularly for the portugese reference, a bit more reading if i can access a copy,i think the thread is still going well,but also feel that,any pics of examples,absolutely any,however rusty to anything gold mounted, gem encrusted, with or without inscriptions(are there any?) :) ?.regards napoleon

Ibrahiim al Balooshi 25th March 2014 06:28 PM

Quote:

Originally Posted by napoleon
thank you ibrahiim ,fernando and jim,particularly for the portugese reference, a bit more reading if i can access a copy,i think the thread is still going well,but also feel that,any pics of examples,absolutely any,however rusty to anything gold mounted, gem encrusted, with or without inscriptions(are there any?) :) ?.regards napoleon


Salaams Napoleon...Just picking up on "anything gold mounted, gem encrusted" Do you refer to the Kastane? If so, I think you mean to post this on The Sinhalese Kastane: Its Development, Decoration and Symbolism...I am not certain what other weapons (not counting the Piha Kheata) would fall into that category..For some stunning pictures of Kastane Pinterest does some good pictures and also some of our own museum visiting members have taken great pictures in various venues like The Wallace Collection ~ just tap into Forum Library.

Good luck on your continued research. Thanks :shrug:

Regards,
Ibrahiim al Balooshi.

VANDOO 28th March 2014 09:13 PM

3 Attachment(s)
HERE ARE SOME PICTURES OF TWO DAGGERS SAID TO BE FROM SOUTHERN INDIA. I HAVE NO FURTHER INFORMATION ON THEM BUT THE POMMELS USEING MYTHICAL OR REAL REVERED CREATURES WERE IN USE THERE AS WELL AS CEYLON.

Ibrahiim al Balooshi 29th March 2014 02:53 PM

Quote:

Originally Posted by VANDOO
HERE ARE SOME PICTURES OF TWO DAGGERS SAID TO BE FROM SOUTHERN INDIA. I HAVE NO FURTHER INFORMATION ON THEM BUT THE POMMELS USEING MYTHICAL OR REAL REVERED CREATURES WERE IN USE THERE AS WELL AS CEYLON.

Salaams VANDOO ~ Amongst the many names I have heard them described as "Yaali". These monster forms are very interesting and represent an Iconic place in the traditional history of the region. Monster heads, in particular, the Makara are also seen as gargoyle water spouts and this general form is applied to jewellery, door knockers, temple door and window surrounds, weapon hilts, powder flasks etc. Very much part of the architectural landscape and design features adorning many artefacts..This style of decoration flows all over the Buddhist/Hindu influenced Indian sub continental region.

What is quite peculiar is that these Iconic zoomorphic hilts rebounded onto European swords..."The Dogheads"...apparently from the Sri Lankan Kastane.

e.g. For an account of English Cutlass style Dogheads see http://www.antiqueswordsonline.com/e...-naval-cutlass

Regards,
Ibrahiim al Balooshi.

fernando 3rd April 2014 07:46 PM

Quote:

Originally Posted by Prasanna Weerakkody
... The possibility of the name Kasthana being influenced by the Portuguese is real as it is a word that does not seem to have a direct meaning in Sinhala or have too many similar words to accompany it. Curiously the only other similar term that (comes to my mind) that may also shed a little light on this is the “Patisthana” spears; being of the same class as the Partisans. The similarity between the terms “Kasthana” or “Patisthana” seem obvious. The only difference being the presence of a much more ancient form of spear known in literature as the “patissa” which is most probably ancestor to the “Patisthana”. It is known that the Sinhala elite of the era was quite conversant with Portuguese and the use of the language had become wide spread and stylish as a secondary language in the Country.


... even today there is a rather large number of words of Portuguese origin amalgamated within the Sinhala language.

Quite a few indeed:
Do you recognize some, Prasanna ?

abano, aia, alfinete, almoço, ama, armário, atalaia banco, baioneta, balde, bandeja, bastão, batata, bêbado, biscoito, bola, borra, botão, braçal, burro, caldeirão, calças, câmara, camisa, candelabro, capitão, carreta, casamento, chão, chinela, citação, contrato, copo, cozinha, cunha, curral, dado, dedal, diamante, doce, dona, escola, espírito, forro, garfo, gasto, gelosia, globo, janela, lança, lençol, lanterna, lenço, lestes, linguiça, lotaria, meia, mesa, mostra, numero, padre, pão, passaporte, pato, pedreiro, pena, pepino, palangana, picão, pintura, pipa, pistola, púcaro, renda, ripa, roda, rosa, saco, saia, sala, salada, sapato, sarampo, saúde (brinde), semana, sino, soldado, tacho, tenda, tinta, toalha, tombo' tranca. trigo, vidro, vinagre, etc.

But i don't find in all these words the path for the term Kasthana. This is a tough riddle; i have just read that another specialist in Sinhalese languages, Reverend Charles Carter, pretends that the term is Portuguese :confused: .
Has he already been mentioned here ?

http://archives.dailynews.lk/2012/06/28/fea02.asp

Ibrahiim al Balooshi 5th April 2014 06:51 PM

Whats in a word...? Kastane ~Katana
See http://www.lk.emb-japan.go.jp/eg/con...iodesNewE.html

Whilst the Edo period in Japan heralded some interesting political visits to Sri Lanka it is with a broad brush that I apply some potential to this word puzzle... and I suspect that like other similar puzzles like Kattara, Qudderah, Katta etc etc this one may rest forever surrounded in the usual mists of time ..

From http://en.wikipedia.org/wiki/Katana~

Quote" Etymology and loanwords. "Katana" is the term now used to describe nihontō that are 2 shaku (606 mm / 23.9 in) and longer, also known as "dai" or "daito" among Western sword enthusiasts although daito is a generic name for any long sword.

Pronounced [katana], the kun'yomi (Japanese reading) of the kanji 刀, originally meaning dao (sword) or knife/saber in Chinese, the word has been adopted as a loanword by the Portuguese language. In Portuguese the designation (spelled catana) means "large knife" or machete. As Japanese does not have separate plural and singular forms, both "katanas" and "katana" are considered acceptable forms in English".Unquote.

Whilst there are some links in the Buddhist nature Bothavista and a few similar letters in each alphabet Sri Lankan / Japanese and a similar word order... it is far from clear if there was any involvement in a word link though one website actually plainly points to the word Kastana as having evolved from the Japanese word Katana but without proof. see http://karava.org/other/mudaliyars at para 3 under Mudalyars...I therefor have the Japanese obtained Portuguese word as purely co-incidental.

Ibrahiim al Balooshi 12th April 2014 05:03 PM

1 Attachment(s)
See spear weilding soldier below who appears to be Javanese ...Quote."One of seven paintings by William Daniell, originally painted for Thomas Stamford Raffles, History of Java. Similar images are in the 1817 edition of the book". Unquote. see www.britishmuseum.org


They were also often used as mercenaries in Sri Lanka..Interestingly working for example for the Dutch then agreeing to work for the English when they assumed control... as did Swiss and French mercenaries. :shrug:
Regards,
Ibrahiim al Balooshi.

Marcus 6th June 2016 01:08 PM

Tamil swords?
 
4 Attachment(s)
Having just purchased a kastane from Oriental Arms
(http://www.oriental-arms.co.il/item.php?id=6813), I spent much of yesterday reading this long thread on Sinalese weapons,
and the one on the kastane in particular.
(http://www.vikingsword.com/vb/showth...hlight=kastane)
With a certain amount of contemplation and consideration of the various opinions expressed, I think that the four questions Jim introduced at the start of the second thread were pretty well covered, except perhaps the third point:

“The kastane appears to have developed from earlier combat weapons into the more regalia oriented court sword form in high embellishment. Hoping to establish some type of chronological line of development.”


At the risk of tipping off another avalanche, I wonder what is known about the weapons of the second major ethnic group on Sri Lanka, the Tamils.

Also, I am guessing that the kastane is an item of such well conserved design that it is difficult to date individual pieces but I would be interested to hear opinions on the piece I have in route from Atzi.

Ibrahiim al Balooshi 6th June 2016 05:17 PM

The Tamils.
 
Marcus you have what appears to be a Castana of the type worn by Mudalyar or civil service officers as a badge of office.

Your question and heading are interesting since no one as yet has entered anything on these threads about Tamil and in trying to do so without getting tangled in recent history politics and war in the region we need to go far back ...

Wikepedia looks at an interesting field concerning Tamils who as you may know inhabit two areas in Southern India and Sri Lanka...but avoiding that and focussing on two aspects...The Martial Arts and the high class steel making capacity of the Tamils I think we can uncover a few little known facts...In this regard I also side step the issue already covered of Portuguese Dutch and British involvement ...at least in this reply. Thus from Wikepedia I do Quote"

Martial Traditions.
Kalaripayattu martial art form which originated during Sangam Period.

Various martial arts including Kuttu Varisai, Varma Kalai, Silambam, Adithada, Malyutham and Kalarippayattu, are practised in Tamil Nadu and Kerala.The warm-up phase includes yoga, meditation and breathing exercises. Silambam originated in ancient Tamilakam and was patronized by the Pandyans, Cholas and Cheras, who ruled over this region. Silapathiharam a Tamil literature from the 2nd century AD, refers to the sale of Silamabam instructions, weapons and equipment to foreign traders.

Since the early Sangam age, there was a warlike culture in South India. War was regarded as an honorable sacrifice and fallen heroes and kings were worshiped in the form of a Hero stone. Each warrior was trained in martial arts, horse riding and specialized in two of the weapons of that period Vel (spear) Val (sword) and Vil (bow).

Heroic martyrdom was glorified in ancient Tamil literature. The Tamil kings and warriors followed an honour code similar to that of Japanese Samurais and committed suicide to save the honor. The forms of martial suicide were known as Avipalli, Thannai, Verttal, Marakkanchi, Vatakkiruttal and Punkilithu Mudiyum Maram. Avipalli was mentioned in all the works except Veera Soliyam. It was a self-sacrifice of a warrior to the goddess of war for the victory of his commander.

Among the ancient Tamils the practice of erecting memorial stones Natukalhad appeared, and it continued for quite a long time after the Sangam age, down to about 16th century. It was customary for people who sought victory in war to worship these hero stones to bless them with victory. They often carry inscriptions displaying a variety of adornments, including bas relief panels, frieze, and figures on carved stone.

Wootz Steel Production.

Wootz steel originated in South India and Sri Lanka. There are several ancient Tamil, Greek, Chinese and Roman literary references to high carbon Indian steel since the time of Alexander's India campaign. The crucible steel production process started in the sixth century BC, at production sites of Kodumanal in Tamil Nadu, Golconda in Andhra Pradesh, Karnataka and Sri Lanka and exported globally; the Tamils of the Chera Dynasty producing what was termed the finest steel in the world, i.e. Seric Iron to the Romans, Egyptians, Chinese and Arabs by 500 BC. The steel was exported as cakes of steely iron that came to be known as "Wootz."

The Tamilakam method was to heat black magnetite ore in the presence of carbon in a sealed clay crucible inside a charcoal furnace. An alternative was to smelt the ore first to give wrought iron, then heated and hammered to be rid of slag. The carbon source was bamboo and leaves from plants such as Avārai. The Chinese and locals in Sri Lanka adopted the production methods of creating Wootz steel from the Chera Tamils by the 5th century BC. In Sri Lanka, this early steel-making method employed a unique wind furnace, driven by the monsoon winds, capable of producing high-carbon steel and production sites from antiquity have emerged, in places such as Anuradhapura, Tissamaharama and Samanalawewa, as well as imported artifacts of ancient iron and steel from Kodumanal. A 200 BCE Tamil trade guild in Tissamaharama, in the South East of Sri Lanka, brought with them some of the oldest iron and steel artifacts and production processes to the island from the classical period.

The Arabs introduced the South Indian/Sri Lankan wootz steel to Damascus, where an industry developed for making weapons of this steel. The 12th century Arab traveler Edrisi mentioned the "Hinduwani" or Indian steel as the best in the world. Another sign of its reputation is seen in a Persian phrase – to give an "Indian answer", meaning "a cut with an Indian sword." Wootz steel was widely exported and traded throughout ancient Europe and the Arab world, and became particularly famous in the Middle East.

Traditional Weapons

The Tamil martial arts also includes various types of weapons.

Valari (throwing stick)
Maduvu (deer horns)
Surul Vaal (curling blade)
Vaal (sword) + Ketayam (shield)
Itti or Vel (spear)
Savuku (whip)
Kattari (fist blade)...Kattar push dagger....
Veecharuval (battle Machete)
Silambam (long bamboo staff)
Kuttu Katai (spiked knuckleduster)
Katti (dagger/knife)
Vil (bow)
Tantayutam (mace)
Soolam (trident)
Theekutchi (flaming baton)
Yeratthai Mulangkol (dual stick)
Yeretthai Vaal (dual sword)" Unquote.

Ibrahiim al Balooshi 7th June 2016 07:32 PM

1 Attachment(s)
Having listed the Tamil weapons above I will start the ball rolling with the throwing sticks ... Wikepedia notes Quote"
Valari

Type. Throwing Stick.
Place of origin. India.

VALARI (Tamil: வளரி) or valai tadi is a throwing stick used primarily by the Tamil people of India and Sri Lanka. Valari were used in war, fighting, and hunting. It was the favorite weapon of choice in a deer hunt.

Shape
Similar to the boomerang of the aboriginal Australians, however, the Tamilian Valari doesn't return to the thrower. Valari were made in many shapes and sizes. Marudhu Brothers, brave Tamil kings were the veteran of using this. The usual form consists of two limbs set at an angle. One is thin and tappering while the other is rounded. The rounded end was used as a handle. They were usually made of wood or iron. Other valari had wooden limbs tipped with iron. Some had limbs which had lethally sharpened edges. Special daggers known as kattari, double-edged and razor sharp, were attached to some valari.

Use

The thrower holds the valari by one of its limbs and throws it. There are several ways of throwing and aiming. It is usually given a spin while throwing. While flying through the air, it maneuvers and executes several types of movements according to the throwers purpose. It may spin in the vertical axis, horizontal axis, or just fly without spinning. The spin may also vary in speed. A lethal throw is given a spin and aimed at the neck. A non-lethal throw is given a spin and aimed at the ankles or knees. This is to capture a fleeing victim. A simple hurting blow does not have any spin." Unquote.

* I note one particular technique of tying a Kattar (the Tamils called it Kattari) knife to a Valari ..!! making this a most lethal combination spinning through the air !!

**Further definitions may be found at http://www.wikiwand.com/en/Dravidian_peoples

Ibrahiim al Balooshi 10th June 2016 09:13 PM

1 Attachment(s)
Maduvu,

Fighting Horns...

Ibrahiim al Balooshi 10th June 2016 09:17 PM

1 Attachment(s)
Sural vaal ~ we have seen these before on this thread..see #205

Prasanna Weerakkody 2nd September 2016 05:59 AM

Hi Marcus,

Just a note on the Kasthana you had posted. Based on my experience this seem to be a recent replica manufactured by a local "Antique Dealer" for sale to tourists. you can find many similar items on sale locally. The bronze/ Brass blades which are often riveted to a simple cast hilt which often include the guards as one piece is usually indicate modern replicas, the motifs area also not typically Sinhala in the detail.

Prasanna

estcrh 7th September 2016 10:38 AM

Quote:

Originally Posted by Prasanna Weerakkody
Hi Marcus,

Just a note on the Kasthana you had posted. Based on my experience this seem to be a recent replica manufactured by a local "Antique Dealer" for sale to tourists. you can find many similar items on sale locally. The bronze/ Brass blades which are often riveted to a simple cast hilt which often include the guards as one piece is usually indicate modern replicas, the motifs area also not typically Sinhala in the detail.

Prasanna

The blade does not appear to be "bronze / brass" to me and would a tourist piece be made with a silver hilt?

Quote:

The Kastane is the national sword of Sri-Lanka. It is characterized by its short curved blade, usually of mediocre quality and highly decorative hilt and scabbard. Here we have a good typical example with 14 inches curved blade. The silver hilt is of great decorative values – A piece of art by itself. The monster styled quillons and the monster head pommel with all parts delicately chiseled and engraved with great care and fine details. Pink colored stone eyes. Total length 19 inches. Very good condition. Heavily patinated blade. No scabbard. A very decorative piece.

Ibrahiim al Balooshi 7th September 2016 02:24 PM

1 Attachment(s)
The weapon does look like it was made with a rather hot needle in tailoring terms... The blade is very badly fixed. Slightly difficult to tell from a photo but I agree with the assessment as tourist item.
I know I have posted these before but these mark the quality of Kastane from a Royal Workshop ...

Ibrahiim al Balooshi 14th September 2016 07:18 PM

6 Attachment(s)
An interesting conundrum appears in the shape of Sri Lankan Spears. The question as to whether Partisan Spears migrated to Sri Lanka as a shared form since the Sri Lankan Patisthania appears as an almost identical weapon to the European Partisan Spear...wings and all. That is not to say point blank that it is; since we are all aware of parallel developments in completely unlinked regions of the world. This is not just apparent in items such as dishes or utility items but weapons particularly in basic form. So is it related or not? For anyone not familiar with the weapon please see cleandungeon.com where it states Quote"

Partisan
Location: Europe
Common Construction: Wooden haft with steel head

The partisan has a central spear, but on either side of the spear are "flukes" that jut out. These flukes evolved over time into what the partisan is commonly described as; a spear with an axe head on either side. This design provides many advantages. First, it limits how far the spear can penetrate so it won't get trapped inside an object. In hunting, spears have crossbars called "lugs" for the very same reason. Second, you can use the weapon in two ways now, by thrusting it like a spear, or bringing it down on someone like an axe. Once you knock someone off their horse, it's hard to stab through their armor with your spear because the steep angle of attack deflects the spearhead. The partisan allows you to perform a chopping motion that is much more effective". Unquote.

On the possibility of some sort of design crossover I refer to the description at Henry Parkers famous presentation on weapons of that region in which he writes Quote "Although the winged spear-head of recent times seems to be copied from from weapons carried by the early Europe and invaders it is certainly of much more ancient date. On the side of the crown of a wooden statue which is supposed to be that of Duttha-Gamini,at the Nikawaewa Cave wihara, there are carved relief which evidently represent spears winged heads like those now in use, as well as others resembling the fourth and fifth types just described. I have already mentioned that these sculptures possibly date from the eleventh century A.D.''Unquote.

Are we looking at an accidental non related spear design with a similar name but purely unrelated or is it possible that either the Portuguese or Dutch form has some bearing on the Sri Lankan version.

Comments are welcome... :)

Ibrahiim al Balooshi 23rd September 2016 04:21 PM

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Spears from the Kandyan Period:

Ibrahiim al Balooshi 1st October 2016 02:25 PM

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THE Veecharuval ... This weapon may have spread from Southern India moreover there it is banned in many areas since it has been used in frequent attacks and murders... It is simply a machete often with a curved hook like tip section...The use of agricultural tools as war or fighting weapons is not unusual and this is an example of such an item. For interest I show the South Indian version in the blacksmiths shop though there is, perhaps, little difference... :shrug:

Ibrahiim al Balooshi 1st October 2016 02:44 PM

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Silamban..(long bamboo staff) This is stick fighting Southern Indian Style and it is an excellent technique of all round fighting with the simple staff weapon... press into computer search and see a host of videos showing the technique. :shrug: or see https://www.youtube.com/watch?v=7YlpcHjOFXU

Ibrahiim al Balooshi 1st October 2016 03:28 PM

Kuttu Katai (spiked knuckleduster) See http://www.sangam.org/taraki/article...s.php?uid=1510 This is a fascinating article on the general martial forms focusing on Tamil influence ... The spiked knuckle duster technique is a highly specialized vital point or nerve point strike technique with an animal claw type weapon. :shrug:

Ibrahiim al Balooshi 4th October 2016 06:01 PM

Spears and \Lances Daggers /Swords Battle Axes, Bow. Etc. Fairly extensive coverage exists at https://sirimunasiha.wordpress.com/a...-dunumadullan/ :shrug:

Ibrahiim al Balooshi 1st August 2017 08:15 AM

Quilons or Iconic Religious Architecture
 
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The question arises as to whether the quilons on a Kastane are real fighting weapon additions or in keeping with a Court Sword of Badge of Office and not for a Battle Sword.
This weapon has been linked by several renowned sword experts in history but have they appreciated the situation or situated the appreciation? :shrug:

To my eye the Quilons look crushed and unable to trap an opponents blade. They do not look substantial enough and in addition the blades look too flimsy to even need Quilons. Surely this cannot be a fighting weapon.
It is in fact a court sword. In its secondary role a Badge of Office for the secretariat Officers of Mudalier rank in the civil service. In this regard there appear to be two swords... The earlier Kastane may well have been the Golock bladed similar to Storta weapon seen in the famous stone carving but soon after another Kastane appeared ...The Badge of Office almost Bling format court sword.

Because it has apparent turned down Quilons it seems to be embroiled with Islamic weapons such as the Nimcha. In my view this is a muddle perhaps undone since the Quilons of Kastane go back to 14th Century and beyond.

The Vajra was introduced by The Great Buddha into Tibet. Following that it appears on a cutting tool reserved for religious pageants. The 14th Century Tibetto-Chinese sword at Boston Museum for Fine Arts shows a Vajra on a parade sword illustrating the Quilon effect; Below.

Conclusion The Kastane in its Court Sword garb... was never a battle Sword but a badge of Rank/Office only. It took its entire hilt form from the Buddhist traditions including the zoomorphic hilt with Buddhist Deities, Peacock tail and Vajra Quilons;..none of which were intended for a Battle Sword. The Battle Version went before perhaps...but this implement was peaceful but only Traditional, Religious and Iconic.

The link to European weapons in this regard is questionable and cannot be attached to the Quilons because by definition the Kastane doesn't have any since it is not a fighting weapon; so why should it?

Regards,
Ibrahiim al Balooshi.

kai 1st August 2017 12:23 PM

Hello Ibrahiim,

Quote:

To my eye the Quilons look crushed and unable to trap an opponents blade. They do not look substantial enough and in addition the blades look too flimsy to even need Quilons. Surely this cannot be a fighting weapon.
It is in fact a court sword. In its secondary role a Badge of Office for the secretariat Officers of Mudalier rank in the civil service. In this regard there appear to be two swords... The earlier Kastane may well have been the Golock bladed similar to Storta weapon seen in the famous stone carving but soon after another Kastane appeared ...The Badge of Office almost Bling format court sword.
<...>
The Kastane in its Court Sword garb... was never a battle Sword but a badge of Rank/Office only.
It's tough to reason with circular logic: If you define kastane as a court sword only, it is not surprising if all kastane sensu Ibrahiim were court swords... ;)

Nobody is arguing that the late court kastane was not meant for fighting. This doesn't imply that earlier members of the same sword lineage can't ever have been fighting swords though.


Quote:

It took its entire hilt form from the Buddhist traditions including the zoomorphic hilt with Buddhist Deities, Peacock tail and Vajra Quilons;..none of which were intended for a Battle Sword.
The Tibetan sword you show clearly has the vajra included into the hilt design. However, I don't think a compelling case can be made that it's the same for any kastane - it's certainly an interesting thought but doesn't fly without a lot more supporting evidence!

A vajra is a 3-dimensional object symbolizing a four-sided diamond; those 4 "limbs" join into a solid tip - sort of like a war hammer. A kastane only shows 2 planes and the 2 mythical creatures don't really connect to the blade.

Moreover, these creatures are obviously taken from Hindu iconography and already have been utilized as cross guards in Hindu weapons. Much of the early Buddhist iconography is based on Hindu roots. Sri Lankan weapons were obviously based on Hindu weapons (certainly allowing for some additional cross-cultural influences, too).

Last not least, the vajra is the icon of the Vajrayana lineage of Buddhism which never had much of any presence on Sri Lanka.


Quote:

The link to European weapons in this regard is questionable and cannot be attached to the Quilons because by definition the Kastane doesn't have any since it is not a fighting weapon; so why should it?
Let's not throw out the baby with the bathwater unless we have a really compelling reason to do so, shall we? Convincing the mother first, wouldn't hurt either... ;)

Regards,
Kai

Ibrahiim al Balooshi 1st August 2017 01:28 PM

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Quote:

Originally Posted by kai
Hello Ibrahiim,


It's tough to reason with circular logic: If you define kastane as a court sword only, it is not surprising if all kastane sensu Ibrahiim were court swords... ;)

Nobody is arguing that the late court kastane was not meant for fighting. This doesn't imply that earlier members of the same sword lineage can't ever have been fighting swords though.



The Tibetan sword you show clearly has the vajra included into the hilt design. However, I don't think a compelling case can be made that it's the same for any kastane - it's certainly an interesting thought but doesn't fly without a lot more supporting evidence!

A vajra is a 3-dimensional object symbolizing a four-sided diamond; those 4 "limbs" join into a solid tip - sort of like a war hammer. A kastane only shows 2 planes and the 2 mythical creatures don't really connect to the blade.

Moreover, these creatures are obviously taken from Hindu iconography and already have been utilized as cross guards in Hindu weapons. Much of the early Buddhist iconography is based on Hindu roots. Sri Lankan weapons were obviously based on Hindu weapons (certainly allowing for some additional cross-cultural influences, too).

Last not least, the vajra is the icon of the Vajrayana lineage of Buddhism which never had much of any presence on Sri Lanka.



Let's not throw out the baby with the bathwater unless we have a really compelling reason to do so, shall we? Convincing the mother first, wouldn't hurt either... ;)

Regards,
Kai

Salaams Kai ~Please see any site you like about Buddhism in Sri Lanka...It will say something like this...Sri Lanka's population practices a variety of religions. As of the 2011 census 70.19% of Sri Lankans were Theravada Buddhists, 12.6% were Hindus, 9.7% were Muslims (mainly Sunni) and 7.4% Christians (6.1% Roman Catholic and 1.3% other Christian). It will further say how melded into one format are Hindu respected traditions and Buddhist ones.. I would say pretty inseparable. The form is very old 250 BC ...and has had a chequered and changing application of Buddhism and style but the central theme and influence has largely been from its core and from Tibet.

Makara. In the Tibetan Buddhist format it evolved from the Indian form of makara. However, it is different in some ways such as, "display of lions fore paws, a horse's mane, the gills and tendrils of a fish, and the horns of a deer or dragon. From its once simple fishtail, sometimes feathered, now emerges as a complex spiraling floral pattern known as makara-tail design (Sanskritmakaraketu)". At the same time and not to dwell on the hilt variation the makara hilt is known to be similar to the lion style and this difference is placed to one side so the other aspects can be viewed.

In Tibetan iconography, THE VAJRA is depicted as a weapon of strength and tenacity. The Vajrayan weapons which have makara symbolism are; axe, iron hook, curved knife, vajra, and ritual dragon, in all of which the theme is "emergence of the blade from the open mouth of the makara".

The Vajra on the Kastane is usually two because the blade is so flimsy / you cant really fit four around it..but I think the architects of the sword skirted around that by placing two other quilon Iconic animal forms one on the guard and another on the Knuckle guard and the last one on the lower guard making 5. It so happens that 5 or 9 are the accepted ways to illustrate Vajra.

No one to date has fielded such exact proof of technical transfer as this... I show a 14th Century Sword of Tibetto-Chinese form with Vajra in exactly the right position at the throat. Would you like to see more Tibettan weapons with Vajra? The Great Buddha himself walked into Tibet with a Vajra which is why it is so revered across regions.

I didn't say that all phases of the Kastane were non battle weapons ... On the contrary the early stone frieze shows a possible original type of battle Kastane...with a similar blade to the example taken back by Hasekura to Japan and currently in their Museum. I am however linking the Vajra to the Kastane directly from the Tibettan source making it very clear that the Quilons are not European but home grown....and they aren't Quilons!! but are religious decorations known as Vajra.

I do, however, say that the bling hilt is purely court sword and Badge of Office. (There are also reports that the Kastane went into Battle not as a weapon but a badge of rank.) Later but not much later it became a secretaries sword ...but only a badge of Office ...See Mudaliers and below with KASTANE.

Here it is ...

Ibrahiim al Balooshi 3rd August 2017 09:16 AM

As an interlude in proceedings I have unearthed a documented list of items said to have been removed by the Governing powers of the day ruling Sri Lanka. The period covered is extensive thus I searched there in case an early Kastane could be discovered.

On page 15 of this document http://unesdoc.unesco.org/images/000...7/038748eb.pdf
I found IM 10/19/10 held at The Britich Museum the hilt portion (incomplete) of a sword Kastane described as ; Pommel of Ivory with Simha head, Grip curved with typical scrollwork, Vaka Deka Motif and floral bands.

15 Century Said to have been presented by King Parakrama Bahu V1. 1415 TO 1467 to a chief of the Weerasinghe family . Very much weathered. Parts missing. Sold for 3 Pounds in March 1910.

There are other swords and weapons but this one is particularly important as it predates the Portuguese. (I dont know if these are still abroad or have been returned to Sri Lanka.)

Ibrahiim al Balooshi 4th August 2017 11:51 AM

The Kirtimukha.
 
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Please also note the figure on the scabbard which is also the revered figure seen in Sri Lankan door and window carved relief as the devourer of all evil; The Kirtimukha.

Also seen on door and window carvings.

Ibrahiim al Balooshi 6th August 2017 09:36 AM

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For a vast array of Buddhist Vajra please see~ http://drilbudorje.tripod.com/_Dorje.htm where the clear defined thunderclap device can be understood as the same design on the Tibettan Sword pictured above and its technical transfer across the regions to the Sri Lankan Kastane pictured below. :shrug:

The quilons appear vestigial but they are not since they are not Quilons per se but form a part of the motif held in high esteem by Buddhist and Hindu alike and represent diamonds or thunderbolts and can be illustrated in an open aspect or closed as on the Kastane. [/B] The quilon aspect is purely Iconic as part of the Buddhist / Hindu display and revered by all...and are generally known as Vajra.

It is my view and as part of this hypothesis that the closed form shuts out the possibility of this as a sword form when its true place is only ceremonial; Rank and Badge of Office / Court Sword only and that this usage is generally agreed upon. In addition since the Kastane was not a fighting weapon as outlined in several reports by notable Sri Lankan experts.

Placed for interest is another weapon form : The Mace from Tibet another Icon for religious ceremony and not a battle weapon but with Vajra at each end. This adds weight to the fact that such iconic weaponry parts transferred across regional boundaries following the religious tide in that part of the world.

I therefor place this conclusion;[B]Thus by the simple method of comparison and detail presented herein; it can be seen that the Kastane is very much a home grown design from Buddhist and Hindu sources and not a European import. By the same proof there is no relationship except by accident of design between the Kastane and the Nimcha.

Regards,
Ibrahiim al Balooshi.


See Below for comparison of Vajra and Kastane Architecture / Quilons.

Ibrahiim al Balooshi 6th August 2017 04:08 PM

I bet you didn't know this !!!!

"We learn a good deal about Jewish craftsmen from the Geniza, the fact that some of them were employed in the imperial workshops of the Fatimids; or that around 1140 three Jewish silversmiths - including two from North Africa - emigrated to Ceylon to pursue their livelihoods; or that a Tunisian Jew ran a factory in India, in which Jews bearing Arabic names, possibly from Yemen, made brass vessels which are described to us I detail primarily for the sake of beauty..."

Rick 6th August 2017 04:28 PM

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As an aside to this thread; I was unaware that there was a sect of Christian Jews. But then I don't get out much. :o
The picture is from The Last Empire, an Aperture publication (out of print).
Full of period photographs.

fernando 6th August 2017 05:15 PM

Quote:

Originally Posted by Ibrahiim al Balooshi
I bet you didn't know this !!!!

"We learn a good deal about Jewish craftsmen from the Geniza, the fact that some of them were employed in the imperial workshops of the Fatimids; or that around 1140 three Jewish silversmiths - including two from North Africa - emigrated to Ceylon to pursue their livelihoods; or that a Tunisian Jew ran a factory in India, in which Jews bearing Arabic names, possibly from Yemen, made brass vessels which are described to us I detail primarily for the sake of beauty..."

So early as around 1140 ? Wouldn't this be a Hijri date ... corresponding to Gregorian 1748 ?
In a line with those Sefardit Jews that were expelled from Spain and have reportedly gonne to North Africa, chosing a later option to make it to Ceylon and India ... as it is also reported ...


.

fernando 6th August 2017 05:26 PM

Quote:

Originally Posted by Rick
As an aside to this thread; I was unaware that there was a sect of Christian Jews. But then I don't get out much. :o
The picture is from The Last Empire, an Aperture publication (out of print).
Full of period photographs.

Excelent picture Rick, but ... this is breaking news !!!
Christian Jews ? Wouldn't this be the author's own way to allude to those known as Converted Jews (Cristãos novos) ?
One may only be either a Christian or a Jew ... i guess :shrug:
Could you in any case improve the picture bottom left, to have a better text reading ?

BTW, do i read "Bene Israel", a Jewish group that leaved mainly in Bombaim, Calcutá, Delhi e Ahmedabad, whose native language sas the Marathi ...

Ibrahiim al Balooshi 6th August 2017 05:44 PM

AND~ Regarding the Atlass Mountains ..."The Jews appear as a group, specializing in trading and crafts, which is ritually and socially separated from the Moslems, who specialize in agriculture... The Jews are non-combatants, not being allowed to carry arms. Yet in their role as smiths, they are responsible for making and repairing arms."

Thus we come to the realization that the ancient North African guns, knives and swords of exquisite workmanship, weapons whose hand-wrought and tooled metals were engraved with elaborate patterns or inlaid with mother-of-pearl, the very weapons that now command high prices on the antiques market, are not of Arabic provenance at all but were produced by Judaic smiths! And that is not all!

"[Jewish] blacksmiths fan charcoal fires and create useful tools; hammers, axes, hatchets, scythes, plows, and all the other tools required by the people of the region. They also repair weapons. These artisan’s shops are in the entrances of their homes. The Berber who needs any tool will bring the metal and the charcoal to the Jew’s house."

See also http://www.hebrewhistory.info/factpa...017-1_gold.htm

Rick 6th August 2017 05:49 PM

Text
 
Beni-Israel Teachers, Bombay, 1856, from ' The Indian Amateur's Photographic Album.'
The Beni-Israel are Christian Jews who first settled in India during the early years of the Christian era.

Verbatim from the text.
It's a windy day here and keeping the pages from flipping could be problematic.
This is a great book and I highly recommend it.

fernando 6th August 2017 06:25 PM

Quote:

Originally Posted by Rick
Beni-Israel Teachers, Bombay, 1856, from ' The Indian Amateur's Photographic Album.'
The Beni-Israel are Christian Jews who first settled in India during the early years of the Christian era.

Verbatim from the text.
It's a windy day here and keeping the pages from flipping could be problematic.
This is a great book and I highly recommend it.

Also (Northwest) windy over here, as usually in August, but my pages are virtual :cool:.

Pity i don't have such book, but that photographer must have had his own source.
From the Chazt Hanoar website, an international Sionist movement:

"The Bene Israel resided mainly in Mombay, Calcuta, Dwhli and Ahmedabad; their native language was the Marathi. They aledged to be descendants from the Jews that escaped the pursuit from Galiley. They resemble non-Jew Marathas in appearance and customs, which indicates mixed marriages between Jews and Indians. These also maintained Judaism basic customs like circumcision, the kashrut and respected Shabat. Bene Israel aledge being desendent from the Cohan, which was corroborated by a genetic test in 2002, which indicates that they have the heriditary of the Cohnaim. Since 1964 this comunity is fully recognized as Jewish and may perform Aiá ".

... No Christian merge cited :o .


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