Ethnographic Arms & Armour

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-   -   Origin of this Yataghan? (With pictures!) (http://www.vikingsword.com/vb/showthread.php?t=25140)

kwiatek 8th May 2020 09:23 PM

The maker's name in the mark is 'Mustafa'

gp 16th May 2020 08:06 PM

6 Attachment(s)
Some additional reading :

http://www.muzej-senj.hr/web/media/K...VO-GMS-web.pdf

http://www.muzej.mod.gov.rs/en/museu...n#.XsAnQMDgo2x

Some more visualisations (13 pictures actually from last year's exhibition) by the Bosnian institute in Sarajevo BiH :
https://www.klix.ba/magazin/kultura/...ozbi/180418111
Click on the foto to get access to all 13 pics

and a few from Livo: http://www.fmgg-livno.com/postavi/zb...-vojne-opreme/

By the way... Sarajevo or Sarajewo or also sometimes written in older books as Serajewo: the name originates form 2 Turkish words: Saray Bosna, meaning castle or fortress at (the river) Bosna.

Saray (Arabic: السراي‎; Turkish: sarayı, seray), with the variant saraya or seraya (السرايا), is a castle, palace or government building which was considered to have particular administrative importance in various parts of the former Ottoman Empire. Seray may also be spelt serail in English, via French influence, in which case the L is (in principle) silent. But has nothing to do with Seraglio.

Think also of Galatasaray, a most famous sportclub in Istambul,which name also derives from its ancient origin as a Celtic Castle!
Now one thinks basketketball and football ( or soccer for our American friends) but its meaning was simply Fortress of the Galats , where the Galats are Celts ! And later the neighbourhoodtook over this name...

FYI: As the Celtic tribes first went South from Poland in the past ( must have been around a couple of centuries BC) , they split up in West Europe ( NL- Belgium) into 3 directions:
West to England and later Wales and Eire.
South to Spain and North Africa (Morocco)
East along the Danube ( coins struck 200 B.C near Belgrade Serbia) to Turkey.
But that is altogether another story.

3 pictures / drawings are by Th. Valerio in "souvenirs d'un voyage chez les Slaves du Sud “ from 1868 by Georges Perrot.
the bearded gent is by unknown in an article "a travers la Bosnie-Herzegovine" dated 1896 by Guillaume Capus and the 5th “ Turkish warrior and Montenegrin” from 1904 Deutsche Alpenzeitung "Wanderungen durch Bosnien, die Hercegowina, Montenegro und Dalmatien."

Kubur 16th May 2020 09:48 PM

Quote:

Originally Posted by gp

Saray (Arabic: السراي‎; Turkish: sarayı, seray), with the variant saraya or seraya (السرايا), is a castle, palace or government building which was considered to have particular administrative importance

Like topkapi saray

:)

Kubur 16th May 2020 09:59 PM

Quote:

Originally Posted by gp
well quite some people in the Balkans during the Ottoman times converted to the new religion and hence took over the names accordingly.


Hi
The problem was not about the blade origin or the blade maker but about the silver niello fittings that some members attribute to Greeks without any proof. And even maybe to Christian orthodox Greeks! Glups...
Of course we all know that Balkans were Ottoman provinces and partly Muslim.
We need more forum members from Turkey to balance a bit the knowledge from the Balkans to Turkey... And never forget that the Balkans were amongst the first provinces of the Ottoman empire so Greek means nothing before the Greek uprising...

TVV 17th May 2020 07:56 AM

Quote:

Originally Posted by Kubur
Hi
The problem was not about the blade origin or the blade maker but about the silver niello fittings that some members attribute to Greeks without any proof. And even maybe to Christian orthodox Greeks! Glups...
Of course we all know that Balkans were Ottoman provinces and partly Muslim.
We need more forum members from Turkey to balance a bit the knowledge from the Balkans to Turkey... And never forget that the Balkans were amongst the first provinces of the Ottoman empire so Greek means nothing before the Greek uprising...

Maybe you need a Turkish forum, where the other members will agree with labeling everything from the Atlantic to the Pacific as Ottoman.

Kubur 17th May 2020 08:51 AM

Quote:

Originally Posted by TVV
Maybe you need a Turkish forum, where the other members will agree with labeling everything from the Atlantic to the Pacific as Ottoman.

This is the problem Ottoman is not Turkish;
and Turkish is not Ottoman, it's more complicated...
If the Balkans are from the Atlantic to the Pacific , then you are perfectly right.
:)
Forget about the Greeks: if you talk about an "epirus style" for some daggers, pistols and swords then I'll agree.
But again it will depend of what you put under this tag.
:shrug:

ariel 17th May 2020 02:11 PM

By the way, in Russian, where a good chunk of its vocabulary is of Turkish ( not necessarily Ottoman, but much earlier, back to the Mongolian invasion) the word Sarai ( Сарай) designates not a castle but just a shed, like garden shed. Also, in a slightly modified meaning , “Sarai” is an unkempt, dirty and disorganized living space.

The “Ottoman” origin of all Yataghans in Russian literature was due to the inability of Soviet weapon historians ( such as Astvatsaturian) to visit foreign museums and to talk to foreign colleagues, especially in Yugoslavia: Tito was regarded as a traitor to the great Lenin-Stalin orthodoxy. Greece, after suppression of the communist putsch, was also out of bounds. And, since Bulgaria was “liberated” from the Ottomans by the Russian armies in the 19 century and every “non- Slavic” feature was regarded as Turkish. Thus, Astvatsaturian’s attribution of Ottoman weapons was grossly misinformed and fallacious. Not her fault: the realities of the closed and politicized nature of Communist regime(s).

Relatively recent Turkish books, such as the one by Gozde Yasar, perpetuate this narrow view: each and every yataghan there is labeled as Ottoman, with the unspoken implication of being Turkish. No attempt was made to pinpoint decorative features specific to their non-Anatolian origin.

Works of Marija Sercer from Zagreb were largely unknown and were not even cited in the above books. Only from a recent book by Dora Boskovic did we learn about Sercer’s major contributions.
First time I heard of Bulgarian weapon centers was from the Daskalov’s book.
And, finally, the role of Balkan centers was brought to the full view by Elgood.
All of them were published and widely available only after collapse of the Soviet Union and redrawing of the maps.

Sadly, politics and nationalism play major and destructive role in historical studies.

Kubur 17th May 2020 04:42 PM

1 Attachment(s)
Quote:

Originally Posted by ariel
First time I heard of Bulgarian weapon centers was from the Daskalov’s book.
And, finally, the role of Balkan centers was brought to the full view by Elgood.
All of them were published and widely available only after collapse of the Soviet Union and redrawing of the maps.

Sadly, politics and nationalism play major and destructive role in historical studies.

I cannot agree more.
Elgood's book revealed the central role of the Balkans in Ottoman weapon's production. Then we need a map: if you look at this map you will see that the Balkans were amongst the oldest parts of the Ottoman empire. What does it mean? Just that Balkans were Ottomans. The problem with Elgood's book is the title "Arms of Greece" and then many forum members see Greek weapons everywhere whereas in fact these weapons were produced by Albanians, Bosnian, Turkish...

gp 17th May 2020 05:56 PM

Quote:

Originally Posted by ariel
By the way, in Russian, where a good chunk of its vocabulary is of Turkish ( not necessarily Ottoman, but much earlier, back to the Mongolian invasion) the word Sarai ( Сарай) designates not a castle but just a shed, like garden shed. Also, in a slightly modified meaning , “Sarai” is an unkempt, dirty and disorganized living space.

The “Ottoman” origin of all Yataghans in Russian literature was due to the inability of Soviet weapon historians ( such as Astvatsaturian) to visit foreign museums and to talk to foreign colleagues, especially in Yugoslavia: Tito was regarded as a traitor to the great Lenin-Stalin orthodoxy. Greece, after suppression of the communist putsch, was also out of bounds. And, since Bulgaria was “liberated” from the Ottomans by the Russian armies in the 19 century and every “non- Slavic” feature was regarded as Turkish. Thus, Astvatsaturian’s attribution of Ottoman weapons was grossly misinformed and fallacious. Not her fault: the realities of the closed and politicized nature of Communist regime(s).

Relatively recent Turkish books, such as the one by Gozde Yasar, perpetuate this narrow view: each and every yataghan there is labeled as Ottoman, with the unspoken implication of being Turkish. No attempt was made to pinpoint decorative features specific to their non-Anatolian origin.

Works of Marija Sercer from Zagreb were largely unknown and were not even cited in the above books. Only from a recent book by Dora Boskovic did we learn about Sercer’s major contributions.
First time I heard of Bulgarian weapon centers was from the Daskalov’s book.
And, finally, the role of Balkan centers was brought to the full view by Elgood.
All of them were published and widely available only after collapse of the Soviet Union and redrawing of the maps.

Sadly, politics and nationalism play major and destructive role in historical studies.

Correction; Josip Broz and Djilas were close allies of Djugasjvilli ...only later a shift took place, just before the death of the latter :
https://yuhistorija.com/int_relations_txt01c1.html

As for literature concerning the yataghan : this is all in the eye of the beholder.
After Austria’s or better the Habsburg occupation of Bosnia and Hercegowina in 1878, quite some and very valid information can be found (if one masters German) in many publications of “ Wissenschaftliche Mittheilungen aus Bosnien und der Hercegovina “ (= scientific notices ) published in Vienna between 1892/3 and 1916.

Also a lot of visitors to the Balkans between 1600 and 1900 did write about their travels with sometimes excellent descriptions and drawings of knives, kamas, bicaqs, yataghans.
And due to absence of copyright, legal downloads are available for free , also cheap reprints 22-30 Euro can be bought and the original books for “ the yataghan collector” can be found for a reasonable price .

TVV 17th May 2020 06:24 PM

Quote:

Originally Posted by ariel

Relatively recent Turkish books, such as the one by Gozde Yasar, perpetuate this narrow view: each and every yataghan there is labeled as Ottoman, with the unspoken implication of being Turkish. No attempt was made to pinpoint decorative features specific to their non-Anatolian origin.

If we adopt Yasar's attribution logic, then Sami knives and kindjals made in Tbilisi in the 19th century are both Russian (or Romanov, if you wish), as those were all made in the Russian Empire. It is a logic that ignores the multi-ethnic nature and regional material culture variations of large empires.

gp 17th May 2020 07:09 PM

4 Attachment(s)
some more pics from the book "Starinsko Oruzje"( = old weapons) by Vejsil Curcic , Sarajevo 1926 and one from "la Bosnie l"Herzegovine" by plural writers under supervision of Louis Olivier, Paris 1901.

gp 17th May 2020 07:45 PM

3 Attachment(s)
and 3 scans from the occupation war in 1878

gp 17th May 2020 10:14 PM

from Bosnia itself a little about the yataghan:

http://h.etf.unsa.ba/btp/content/muz..._eng/about.htm

http://h.etf.unsa.ba/btp/content/muz..._eng/about.htm

ariel 18th May 2020 06:01 AM

Thanks, I was unaware of those publications.
However, none of them have been cited by Astvatsaturian or Yasar either.

As to your statement that Soviet-Yugoslav relations were rosy till the death of Stalin, please re-read your reference: already in 1948 USSR withdrew all her military and civilian advisers from Yugoslavia and in 1949 the antagonism between the two was already fully apparent. Stalin died in 1953.
But be it as it may, Astvatsaturian started her career in the early 50's, and by that time both Yugoslavia and Albania were de facto "traitors " of the Soviet ideology. Contacts with foreign countries were always very limited and difficult for Soviet citizens and collaborations with the " enemies" was practically unheard of. Soviet researchers worked in complete isolation. Add to that their almost universal inability to read and understand foreign languages together with very controlled and limited access to foreign publications even from major libraries, and the picture becomes even more grim.

ariel 18th May 2020 06:05 AM

Quote:

Originally Posted by TVV
If we adopt Yasar's attribution logic, then Sami knives and kindjals made in Tbilisi in the 19th century are both Russian (or Romanov, if you wish), as those were all made in the Russian Empire. It is a logic that ignores the multi-ethnic nature and regional material culture variations of large empires.

Fully agree.

gp 18th May 2020 07:07 PM

3 Attachment(s)
Quote:

Originally Posted by ariel
Thanks, I was unaware of those publications.
However, none of them have been cited by Astvatsaturian or Yasar either.

You're welcome! Actually this tells more about Astvatsaturian or Yasar...
Although language might also be one botttleneck or showstopper.

But a lot of info (of which many are unaware about untill ones visits the places) can be found locally in Albania, Bosnia and Herzegovina, Bulgaria, Croatia, Greece, Kosovo, Montenegro, Macedonia, Romania and Serbia .


And by the way.... Greek or not to be ( Greek) ?

They all are copies from....

the ILLYRIAN SIKA ☺☼☺

Etymology: Possibly from Proto-Albanian *tsikā (whence Albanian thikë, "dagger, knife"), from Proto-Indo-European *ḱey- ("to sharpen") possibly via Illyrian.
- According to Dictionnaire des Antiquités Grecques et Romaines the name Sica comes from Proto-Indo-European root sek-, meaning "to cut", "to section", however De Vaan declares any connection to Proto-Indo-European *sek- to be formally impossible.

source: Albanian Archaeology 10 August 2019 ·

Kubur 18th May 2020 09:01 PM

1 Attachment(s)
Quote:

Originally Posted by gp

They all are copies from....

the ILLYRIAN SIKA ☺☼☺

Etymology: Possibly from Proto-Albanian *tsikā (whence Albanian thikë, "dagger, knife"), from Proto-Indo-European *ḱey- ("to sharpen") possibly via Illyrian.
·

You are a bit too much Albanian centered...
:)
I will stay with the Greek kopis, same kind of weapon, same period 5 -4 BC, same area...

gp 18th May 2020 09:28 PM

1 Attachment(s)
Quote:

Originally Posted by Kubur
You are a bit too much Albanian centered...
:)
I will stay with the Greek kopis, same kind of weapon, same period 5 -4 BC, same area...

birds of a feather....

but as the Cellts passed through along the Danube...

might the origin not be a Celtic faceta...? :) :) :)

gp 18th May 2020 09:44 PM

jokes aside...

a legal download althoug I am aware that not everybody can read (Serbian) cyrillic, but worthwile nevertheless and recommendable;

"cold weapons of the Ottoman Turcish era: 15-19th century"

https://dlscrib.com/queue/hladno-oru...0d60b4272bb181

another legal download in English from an earlier era :

https://www.academia.edu/496513/Medi...o_Aleksi%C4%87



and some nice pics of an exhibition in Sarajevo:
http://www.novigradsarajevo.ba/news/...1522290?page=4

TVV 21st May 2020 04:50 PM

Quote:

Originally Posted by gp

the ILLYRIAN SIKA ☺☼☺

You call it Illyrian, I call it Thracian, someone in Romania would probably call it Dacian...

gp 31st May 2020 11:02 AM

4 Attachment(s)
Quote:

Originally Posted by TVV
You call it Illyrian, I call it Thracian, someone in Romania would probably call it Dacian...

ofcourse and the interaction between neighbours goes without saying.
No offence intended at all.
It is most interesting for me to see these weapons in their earliest phase!
... and from plural regions.

A few more pics on the subject from my book collection:

"Erinnerung an Sarajevo " J. Studnicka & Co., First Edition. Unbound. N.d. (before 1918). Large oblong octavo (19 x 26 cm). Complete suite of 12 color plates of scenes and costumes. Original cloth portfolio.
FYI: J. Studnicka & Co. in Sarajevo is already mentioned in 1898. And the portfolio can be dated before 1918 owing to the publisher's address affixed to the inside and on top of the front cover which reads "Buchhandlung J. Studnicka & Co. Sarajevo - Bosnien" -- no doubt this portfolio was intended for the tourist trade and provides a romantic view of this beautiful city .
Remember "tourist trade" also in relation with the white horn bichaqs for officers of the Bosniaken Regiments after 1882...
Enclosed 2 relevant pics with a detail pic of the weapons

gp 31st May 2020 12:06 PM

3 Attachment(s)
a little more on the history as I learned from reading plural historical publications on Bosnia with regards to Jatagans ( i.e. Yataghans), Bicaks ( Bichaqs) or Cakija ( knives and short for bicak), kama, noz as they were called in Bosnia, Serbia, Montenegro, Southern Dalmatia ( Dubrovnik/Ragusa and the Bay of Kotor /Boka Kotorska) and Makedonia /Macedonia.
It could well be Bulgaria as well but unfortunately my knowledge does not go that far

Nevertheless, back to Bosnia:
Due to the commemoration of one century insurrection in Bosnia & Hercegowina, the historic museum of Zagreb catagorized for the first time all yataghans in their posession in 1975.
1976 in Graz Austria a 2nd exhibition was held.
Of the total of 171 pieces, 119 had a signature / name to it and 79 could be / were dated.
The oldest was from 1774 signature Hajji Ibrahim, the "youngest" / earliest one from 06. 09. 1878.

After Habsburg took over Bosnia and Hercegowina from the Ottoman Empire conform the Berlin Congress ( art. 25 ), occupied ( after fierce resistance and fighting ) and ruled it in 1878:

the use and manufacturing of yataghan ( latest used during the insurrection of 1875/1876) was prohibited (!)

Henceforth strange it got "liberalized" a little and limited to K.u.K.officers and Habsburg dignataries only after 1882

althouigh the root cause is clear & easy : the wild Bosnians were known as fierce fighters, not only by the Ottomans...
Hence the build quite a strong reputation during WWI, especially at the Isonzo front , but that is another story.

Common criterium of this mostly in the European part of the Ottoman Empire till 1878 produced weapon was the at one side sharpened curved blade with curved scabbard. Another feature is a split pommel with more or lesser continuation into an earlike form.
Material used was ivory (very rare) , walrus, horn and wood.
Metal used; brass, copper and silver.
The scabbard made out of wood covered with brass or silver.

Locally the term hancar is also often used for yataghan which still leads / might lead to some confussion

A book on Ottoman military from 1732 where Marsiglia mentions a weapon used by the "Turcs" : «Hangiar», a kind of dagger which young Turcs and Janitsars did wear at their left side in a piece of cloth looped around their body. No mention of the name Yataghan in this book. Mid 18th century yataghans are mentioned in reports from the Asian part of the Ottoman Empire and North Africa.
As for the root of the "ears", the explanation is simple : used as a rest for the musket ( Dolleczek)
It seems there are 2 types of yataghans ( or also as they are called in the Balkan Hancar) conform Holstein (1931) :«Yataghan turc» and «Yataghan des Balkan».
For Croatia and Slavonia it seems a yataghan-like weapon AKA «Handyar» was mentioned in Habsburgian sources ; the armour of 1784 by Oberst J. A. von Brentao-Cimaroli locally recruted 12 companies Freecorps with hancar “ 12 Kompanien starken slawonisch-kroatischen Krenz-Freikorps (zuzüglich 500 Husaren) : «Feuergewehr sammt Bajonnet, ungarischen Säbeln, Pistolen und Handyar».
A local newspaper mentions for a border soldier ( grenzer / granicar) pistols and «Handschar» with ears ( Ohrenknauf ) with curved blade

In the Habsburgian army a Serbian freecorps operated since 1813 armed with handcar ( “ uniformen mit Handschar bewaffnet” ) with "ears"

Another unit was the Dalmation State Guard in 1869 with a "handschar" in black horn.

Eduard Wagner (1966): «Die Bezeichnung Handschar benutzten die Südslawen, gleichermassen auch die Mohammedaner der Balkanhalbinsel und Asiens. Die Bezeichnung Jatagan (Yatagan) war bei den nordafrikanischen Mohammedanern in Marokko, Algerien, Tunesien und Ägypten gebräuchlich».

"The name Handschar was used by the South Slavs, as well as the Mohammedans of the Balkan Peninsula and Asia. The name Jatagan (Yatagan) was used by the North African Mohammedans in Morocco, Algeria, Tunisia and Egypt ».


Enclosed 2 pics from a black one and one of an old warrior.

gp 1st June 2020 09:47 AM

1 Attachment(s)
Quote:

Originally Posted by gp
Due to the commemoration of one century insurrection in Bosnia & Hercegowina, the historic museum of Zagreb catagorized for the first time all yataghans in their posession in 1975.
1976 in Graz Austria a 2nd exhibition was held.
Of the total of 171 pieces, 119 had a signature / name to it and 79 could be / were dated.
The oldest was from 1774 signature Hajji Ibrahim, the "youngest" / earliest one from 06. 09. 1878.

literature :
Boskovic, Dora. Zbirka jatagana u Hrvatskom povijesnom muzeju u Zagrebu = The Yatagan Collection of the Croatian History Museum, Zagreb. Katalog muzejskih zbirki XLI. Zagreb : Hrvatski povijesni muzej, 2006

Sercer, Marija. Jatagani u Povijesnom muzeju Hrvatske. Katalog muzejskih zbirki XI. Zagreb : Povijesni muzej Hrvatske, 1975.

Jatagane aus dem Historischen Museum von Kroatien in Zagreb (Agram). Sonderausstellung im Landeszeughaus 9. April - 7. Juni 1976. Graz : Landeszeughaus am Landesmuseum Joanneum, 1976

Enclosed a scan of a postcard during the K.u.K occupation ,
approx around 1885-1905 of a female "brigant"

gp 7th June 2020 08:14 PM

6 Attachment(s)
additional information on yataghans, dated October 2012:


"The yataghan falls into the category of large knives, usually presenting a curved blade, made of high quality steel.
This kind of weapon consists of a single-edged blade, necessarily disposed inward.
An important characteristic of the yataghan is represented by the hilt that stands out due to the specific pommels, that spreads at the top into small wings curved inwards, usually known as 'ears'.
The pommels are perfectly shaped to allow the weapon's easy handling, the ears having the role to prevent the hilt slipping out of the hand when used in battle. If necessary, the yataghan's 'ears' might prove themselves useful as bolsters for shooting the longrifle. In time, specialized literature has presented some confusions regarding the name and the shape of the yataghan.

Studying this type of weapon, many authors did not make a clear distinction between yataghans and handjars, often the term 'yataghan' being used erroneously to designate all oriental swords. Regarding the roots of this type of weapon, the yataghan is a sabre of Oriental origin, according to some sources originating from India wherefrom it was expanded through the whole East.
The shape of the yataghans have not changed much in time, the specific characteristics of this kind of weapon contributing mainly in this respect:
the remarkable force to strike and chop.
Due to the weapon's particular shape, the force of impact is concentrated at the tip of the blade.
The yataghan was the perfect choice for a close fight but also during a skirmish. Even when firearms gained supremacy in the battlefield, the yataghan was also kept in the janissary standard harness especially due to its remarkable technical qualities.
As it concerns the color and the material used to craft the pommels, the Serbo-Croatian-Bosnian specialized literature (excepting Constantinople, most of the Balkan yataghans were crafted in the former Yugoslav territory during the XVIII and XIX centuries, the most famous manufactory being at Foča - today in Bosnia and Herzegovina) classifies yataghans as it followes: belosapce (having the pommels made of ivory or of other bones of light color),
crnosapce (having ears made of buffalo black horn or of wood)
and those with metallic hilts, often overlaid with silver.
There are also brass-hilted yataghans.
Regarding the shape of the blades, yataghans can be classified into straight blades and curved blades.

There were many manufactories in the Balkan Peninsula: Travnik, Foča, Sarajevo, Herceg Novi, Kotor, Risan, Užice, Prizren and Skopje.
The yataghans produces in these manufactories were exclusively handicraft products.
The collection of weapons held by The Banat Museum owns 30 yataghans, recorded in the History Department's files. An important particularity of the museum's collection is given by the great number (17 of 30 weapons) of crnosapci yataghans, horn-hilted or dark bone-hilted weapons.
Unlike The Banat Museum collection, the belosapci with ears made of ivory or other types of white bone, prevail in the yataghans collection from Zagreb (The Croatian History Museum).
The Belgrade researchers' explanations regarding the small number of crnosapci yataghans from the Military Museum's collection together with the informations recorded in the 1st file of the Banat Museum's files clarify the existence of a great number of dark/brown and black pommeled yataghans in the Banat Museum's collection.
Given the fact that the crnosapci yataghans were used in fights, they are much more rare, theory that comes to complement the informations supplied by the archives held by the Banat Museum, informations that highlight the fact that the weapons achived during the pre-war period represented spoil of war resulted from the Austro-Hungarian military campaign held during the summer of 1978 to pacify the Bosnian territory. We can also add to the 17 crnosapci yataghans another 9 belosapci yataghans, two metal hilted weapons, one presenting some changes at the hilt (instead of the characteristic pommels the yataghan has a wooden hilt with a rectangular section).
To all these weapons we can also add a yataghan blade whose pommels are missing. Among The Banat Museum's yataghan collection, 20 weapons exhibit ornaments and encrusted inscriptions, two weapons being encrusted with golden thread, the other ones decorated with silver thread. There other weapons show engraved ornaments while the other seven have no decorations on the blades (some of them presenting the armourer's stamp, at most).

The specialized literature highlights the fact that the yataghans with straight blade (pravci) are very rare, this fact being confirmed at Timisoara where we can find only 5 weapons presenting this kind of blade.
Among the ornate yataghans, the researches managed to discover the year of manufacture only in the case of 8 weapons, the oldest yataghan held by The Banat Museum was dated in the year 1204 (according to the Islamic calendar), corresponding the Christian period of 1789-1790, while the most recent weapon dates from the Muslim year of 1280, representing the years of 1863-1864 according to the Gregorian calendar.
Regarding the history of yataghans collection held by the Banat Museum, we also have to consider that the vast majority of weapons comes from the old collection of the museum, especially from the pre-war period.
The 1st file of inventory held by the museum (the inventory of the Museum Society of History and Archeology) includes a series of weapons brought from Bosnia after the military campaign held in the summer of 1878 (spoil of war from Tuzla, Travnik etc).
These weapons were either donated to the museum or purchased. The two metal-hilted yataghans had also been registered in the pre-war period. During the interwar, especially between 1930-1935, while Ioachim Miloia has served as director of the museum, have been purchased another series of yataghans.
A last important batch of weapons entered the Museum's collection after World War II, in 1959, following a transfer from the Home Office represented by the Timisoara 232 Unit.
The "piece de resistance" of The Banat Museum's collection is certainly represented by the weapon that was held, for a short time, by the leader of the first Serbian anti-Ottoman movement Dorde Petrović Karadorde.
The founder of the South Hungarian Society of History and Archeology and also the donor of this yataghan, dr. Ormós Zsigmond, remarks that the weapon's value is increased by the fact that it belonged to Karadorde (Cerni György).
The letter of donation also asserts that the yataghan was taken by the Serbian leader "from the hands of a Turk" during a fight, without offering further information regarding the year and the place of the specific battle. We can also find out from this specific letter information regarding the purchase of the weapon and its previous owner. Ormós purchased the yataghan on June 23rd, 1876 at Orşova, from the widow Schevits who held the weapon as an heirloom.
These informations have been published in the specialized magazine of the Museum Society of History and Archeology in the year 1889, while in the 1st file of inventory held by the Banat Museum the yataghan is recorded as a "Turkish yataghan".
We have to underline the fact that Karadorde's yataghan represents the only Oriental weapon of the collection whose inscriptions had been translated and recorded in the old files of the Banat Museum."


source : The yataghans collection of the Banat Museum, by Zoran Marcov, Head of Department National Museum of Banat, Timisoara, Romania


remark: do not search the internet for crnosapci or belosapci / bjelosapci as
- crno is black and belo / bjelo is white in Serbian, Croation, Bosnian
- and sapci plural for sapac being hilt / handle

gp 7th June 2020 09:29 PM

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The Dalmatian yatagan M 1869 is a unique model of the world's cold weapon, since these are no longer unique but semi-industrially or semi-manufactory made pieces which involve serial production of identical pieces in terms of their dimensions, appearance and weight, and serial number and unit designations. Also, the handle is made of man-made bakelite derivatives, so it is unique and avant-garde in this respect as well. All known pieces of yataghan M 1869 have an army inventory stamp consisting of the name of the battalion and the number of weapons in the unit, and some of these figures are high and it can be inferred that all the domobrans were armed with such weapons. The image of the Austro-Hungarian military painter Julius von Blaas depicting the attack of the 79th Battalion (led by a local resident) on Livno during the occupation of Bosnia and Herzegovina in 1878 testifies to this. (Manuel Martinović)

source : svijet-filatelije 2019 on a stamp by Croatian Post Mostar

cyten 8th June 2020 03:06 AM

Quote:

Originally Posted by gp
And back on topic: the stamps / marks on the picture in cyrillic are the names Omar, Faruk, Rabomal Hasan, Rabomal Halu, Osman and Alu ( Alu being probably an elative case of Ali )

just a small clarification, It is Omar, Khalil, Rabotal Hasan, Rabotal Khalil, Osman, and Ali

Battara 8th June 2020 04:24 AM

What great info! My absolute favorite Ottoman sword is the yataghan. I had 2, but one got stolen years ago, but I have the other one. Both were Balkan, and the stolen one was from Focha (I LOVE their work!).

I'll add this to my yataghan book from Sarajevo, and Elgood's work on weaponry from the Balkan region during the Ottoman era.

gp 8th June 2020 07:01 PM

Quote:

Originally Posted by Battara
What great info!

most happy to oblige . Hence another piece of info from Croatia :

Inscriptions on the “Zagreb yataghan”

Tatjana Paić-Vukić ; The Archive of CASA, Zagreb 2013.

"Blades of the Ottoman long knives, yataghans, are frequently decorated with geometrical and floral motives, and different inscriptions.
In Zagreb, as the property of S. V., there is a richly decorated yataghan produced in AH 1224. / AD 1809-1810 in Bosnia.
It was made for some of the descendants of the Bosnian Vizier Mehmed Pasha Miralem, probably for his grandson Mehmed Miralem.
On both sides of the blade, there is a great number of cartouches and round ornaments made with the technique of inlaying with gold wire.
They contain calligraphic inscriptions in the Arabic, Ottoman Turkish and Persian languages, comprising prayers, proverbs, invocations and verses encouraging fighting against enemies, expressing confidence in God and asking the Prophet Muhammad to intercede for the owner of the yataghan in the next world. By comparison with the items described in catalogues and other literature, it appears that the “Zagreb yataghan” is exceptional both for containing extraordinarily great number of inscriptions and for having two lengthy inscriptions in Persian.
As for comparison, none of the yataghans from the Zemaljski muzej [National Museum] of Sarajevo contains inscriptions in Persian, while the collections of Hrvatski povijesni muzej [Croatian Historical Museum] and Istorijski muzej Srbije [Historical Museum of Serbia] have only one such item each. In this paper, all the inscriptions are presented in Arabic script and transliteration, and translated into Croatian.
They could help researchers dealing with Ottoman cold weapons to recognise and reconstruct identical sayings and verses found on other yataghans in cases when they are partially damaged and hardly legible, in the way in which I benefited from the work of Muhamed Ždralović on the yataghans of the Croatian Historical Museum.
Finally, the fact that another product of the artisan named el-Hacc Mehmed-zade, who decorated the “Zagreb yataghan”, is kept at the Military Museum in Istanbul could contribute to the systematisation of data on yataghans from individual workshops in the Ottoman Empire."

although I understand many here do not understand Serbo-Croatian or as it is called now Serbian, Croatian, Bosnian, I can advise nevertheless to download the Croation version with regards to the inscription, its phonetical translation and some most interesting pictures.

https://hrcak.srce.hr/search/?stype=...%20Mehmed-zade

gp 8th June 2020 07:56 PM

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Quote:

Originally Posted by gp
The image of the Austro-Hungarian military painter Julius von Blaas depicting the attack of the 79th Battalionon Livno during the occupation of Bosnia and Herzegovina in 1878

Combat of Dalmatian Imperial infantry at Livno August 8th 1878

Location: Vienna, Austria

Holding Museum:Austrian Military Museum / Institute of Military History

Date:1907 (Signed and dated "Julius v. Blaas 1907")

Type of object:Painting

Material(s) / Technique(s):Oil on canvas

Dimensions:120 x 200 cm

scene of the occupation campaign of 1878 where the Dalmatian Imperial Infantry is attacking in line formation at Livno.

ariel 9th June 2020 10:59 AM

This painting is quite interesting. On this Forum we had many discussions about potential uses of Yataghans. Often, there were opinions that Yataghans were not fighting military weapons, but rather just post battle head-cutters or such.
Here we see organized military unit attacking enemy positions with Yataghans; this seems to contradict the above notion.

Nepalese Gurkhas performed military feats with their Kukri, a somewhat yataghan-like short bladed chopper.

gp 9th June 2020 05:46 PM

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Quote:

Originally Posted by ariel
This painting is quite interesting. On this Forum we had many discussions about potential uses of Yataghans. Often, there were opinions that Yataghans were not fighting military weapons, but rather just post battle head-cutters or such.
Here we see organized military unit attacking enemy positions with Yataghans; this seems to contradict the above notion.
.

Comes perhaps with the territory ?

The 2 drawings of the Bosnian resistance against the Habsburg take over in 1878 I posted , also shows they went for the Austrians with rifle AND yataghan...as not each fighter had the means to buy a gun, so some only went with their yataghans and bichaqs into battle. All conform their tradition which differs from a western one.

Also bear in mind this unit, although an Habsburg K.u.K. unit, is made up out of locals (Dalmatians). And take also into consideration that Franz Josef II and his war ministers thought it to be a walk over....mistakenly.....as they learned soon.
Hence unprepared (read not armed as they ought to be for a war ) their units were not really up for a fight and the insurrection they were about to meet in 1878....So ammo could be scarce and locals fighting locals in a traditional way perhaps as well...

a scan of a border patrol and a duel

gp 19th June 2020 12:22 PM

additional reading & legal PDF download:

INTRODUCTION TO THE STUDY OF ISLAMIC ARMS AND ARMOUR
by Dr. A. Rahman Zaky 1961.

https://www.google.com/url?sa=t&rct=...8jJi7nY6bj90Bt

gp 19th June 2020 01:54 PM

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a few more pics from "Die österreichisch-ungarische Monarchie in Wort und Bild" - "Dalmatien", Band 11 Wien, k. k. Hof- und Staatsdruckerei., 1892

gp 19th June 2020 01:55 PM

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some more pics by Henri Avelot et J. de La Nézière - Monténégro, Bosnie, Herzégovine - Henri Laurens, Paris - no date (1894) - 248 pages

gp 4th May 2021 08:56 PM

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for those whose "bible" :p is called Elgood, I can advise and do prefer when talking Balkan and specially for Bosnian cold weapons :

1. next to the already by me mentioned book old weapons in 56 pics "Starinsko Oruzje sa 56 slika u tekstu " by Curcic Vejsil (Vejsil Ćurčić (1868, Sarajevo – 1959, Sarajevo) published by Drzavna Stamparija
in Sarajevo 1926.
Although in Serbo-Croat, google translate does do the trick 4 U ;)
2. "Jatagane" by Marija Šercer, original in Croation published in Zagreb but also availabe in German 1976 by Landeszeughaus in Graz Austria : Volume 5 van Veröffentlichungen des Landeszeughauses Graz
3. Balkans Arms , knives and daggers 18th-19th century by Tarik Kožo - , in 3 languages (!); Bosnian, German and English, 2010 Sarajevo; book of the old stock "balkan arms" deals with specimens of knives and knives from the last times of the Ottoman domination over the Balkans. Hereby some pics so you can recognize some of yours in yoyr collection

gp 4th May 2021 09:03 PM

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And some more pics. One of them shows a smal knife which I boiught as a Serbian Lady's knife but actual isn't and conform Kozo is a little metal dagger for men...

gp 4th May 2021 09:14 PM

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most of these above cold weapons were used when Habsburg after the Congres of Berlin occupied Bosnia in 1878 and caused a severe resurrection with many lives lost at both sides. This fierce fighting of the Bosniaks later caused the Austrians to create 4 infantery regiments in 1882 AKA Bosniaken or Bosnische=Herzegowinische Infanterie Regimente I - IV.

Enclosed pics of the fighting in Sarajevo by their leader Salih Vilajetovic AKA Hadzi Loja.

FYI: the bridge in the last picture was called after 1878 Latin Bridge by the Austrians, after 1918 its name became Princip Most (= Princip Bridge, after Gavrilo Princip) and is now called Latin Bridge again.

gp 30th June 2021 08:18 PM

/error/

gp 11th July 2021 08:49 PM

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a few more cold arms pictures from an old book I have, published in the former Yugoslavia some 8 decades ago: "Oružje starih hrvata", by Milan Praunsperger.
If you understand some of any of the Slavic languages, it is quite easy to read. If not: google translate will do 80% of the job for you and with your knowledge it will easily be 98% :)

gp 5th April 2022 12:47 PM

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Quote:

Originally Posted by ariel (Post 252128)
This painting is quite interesting. On this Forum we had many discussions about potential uses of Yataghans. Often, there were opinions that Yataghans were not fighting military weapons, but rather just post battle head-cutters or such.
Here we see organized military unit attacking enemy positions with Yataghans; this seems to contradict the above notion.

Nepalese Gurkhas performed military feats with their Kukri, a somewhat yataghan-like short bladed chopper.

just came to my mind:

this Austrian / Habsburgian regiment was a border regiment from Dalmatia: actually recruted mostly from the poorer regions around Split, Dubrovnik and the Bay of Kotor ( the latter only belonging after WW I to Montenegro and prior that being almost one with... Herzegovina...which was though Ottoman till this battle and annexation in 1878) and hence the interaction not only religious, cultural, linguistic but also tradewise between these border regions.

Consequentually the "yatag(h)an "like sword might have well been made or purchased from the same weapon black smith and looks very close to a kilij (or as in Turkish; kılıç ) which both on the painting used by the "footsoldiers " lacking the crossguard or quillon and as well mine below, purchased in the Balkans...


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