Jason Anstey
25th August 2009, 02:56 PM
Sword Review Zubeng Tang Jian
Specifications:
Blade Material: Master Chen’s Tamahagane
Layers: between 1 and 2 million layers
Weight of blade: 1100g
Materials of Furniture: Silver with Gold filigree/inlay
A pic to start with and then the story!
http://i51.photobucket.com/albums/f355/nasteyone/Daab/Zubeng%20Jian/IMG_8384.jpg
http://i51.photobucket.com/albums/f355/nasteyone/Daab/Zubeng%20Jian/IMG_8382.jpg
A little of my background - I have been studying and collecting mostly custom swords for over a decade. I teach and train in ZNKR Iaido, Jodo, Muso Shinden Ryu Iai and Shinto Muso Ryu Jo (sounds like a lot but it really is only two martial arts and they really form one.
Anyway I have always been fascinated by the Chinese arts and their association as predecessor to the Japanese arts both martial and craftwise.
After seeing the fantastic thread on another forum by Master Rich Chen on his traditional sword making I decided to contact him about a Jian commission.
We had numerous discussions as I really had a stereotypical Jian in mind and I thought to discuss and negotiate what “I” wanted. Master Chen was very polite and direct, he said “There are many ways, I have my way” or words to that effect and went on to discuss what he does and why.
I tried to get the price down (I am embarrassed to admit) and Master Chen was very friendly, polite and thanked me for my interest in real Chinese swords and said that he hoped that one day I would own one of his swords.
I understand that Master Chen has been approached by the Chinese government to make swords for heads of state, presidents from other countries etc for special presentations. I tossed and turned and spent quite a bit of time considering this large purchase. I realised that here is a man with such passion, knowledge and skills in his craft and here I am haggling over price and details!
Anyway I realised that I was talking with a man with great honour and sent an email to ask a couple more questions to clarify some points and then proceed.
I didn’t hear back from him for a few days I sent another couple of emails – I can’t remember exactly and assumed that he just got tired of this foreigners tiresome questions. ( I later found out that the constant black-outs and loss of power had caused the break in conversation ) During this time I decided to contact another high end smith and commissioned and paid for a very expensive and high end Jian.
The following day, I received an email from Master Chen apologising for the delay in response and explaining what had happened – ahhhhhhhghhhh. Bloody hell I had just spent a great deal of money on what will certainly be a great sword… but, the more I thought about his swords made from iron sand the more I desired one.
I sold quite few things scraped together the 50% deposit and the job was started. If my wife ever finds out I will find out first hand how sharp the sword is!!!
I have always thought that with commissions from people like Patrick Barta, Jake Powning, Vince Evans, John Lundemo and other best of the best of the Western style smiths that the wisest thing is let them have freedom to make what they wanted to make as they are the artists.
I ordered a style from his website but said to him that is there was anything he wanted to do different, then I have complete faith that he will only release a sword that he is 100% happy with.
Specifications:
Blade Material: Master Chen’s Tamahagane
Layers: between 1 and 2 million layers
Weight of blade: 1100g
Materials of Furniture: Silver with Gold filigree/inlay
A pic to start with and then the story!
http://i51.photobucket.com/albums/f355/nasteyone/Daab/Zubeng%20Jian/IMG_8384.jpg
http://i51.photobucket.com/albums/f355/nasteyone/Daab/Zubeng%20Jian/IMG_8382.jpg
A little of my background - I have been studying and collecting mostly custom swords for over a decade. I teach and train in ZNKR Iaido, Jodo, Muso Shinden Ryu Iai and Shinto Muso Ryu Jo (sounds like a lot but it really is only two martial arts and they really form one.
Anyway I have always been fascinated by the Chinese arts and their association as predecessor to the Japanese arts both martial and craftwise.
After seeing the fantastic thread on another forum by Master Rich Chen on his traditional sword making I decided to contact him about a Jian commission.
We had numerous discussions as I really had a stereotypical Jian in mind and I thought to discuss and negotiate what “I” wanted. Master Chen was very polite and direct, he said “There are many ways, I have my way” or words to that effect and went on to discuss what he does and why.
I tried to get the price down (I am embarrassed to admit) and Master Chen was very friendly, polite and thanked me for my interest in real Chinese swords and said that he hoped that one day I would own one of his swords.
I understand that Master Chen has been approached by the Chinese government to make swords for heads of state, presidents from other countries etc for special presentations. I tossed and turned and spent quite a bit of time considering this large purchase. I realised that here is a man with such passion, knowledge and skills in his craft and here I am haggling over price and details!
Anyway I realised that I was talking with a man with great honour and sent an email to ask a couple more questions to clarify some points and then proceed.
I didn’t hear back from him for a few days I sent another couple of emails – I can’t remember exactly and assumed that he just got tired of this foreigners tiresome questions. ( I later found out that the constant black-outs and loss of power had caused the break in conversation ) During this time I decided to contact another high end smith and commissioned and paid for a very expensive and high end Jian.
The following day, I received an email from Master Chen apologising for the delay in response and explaining what had happened – ahhhhhhhghhhh. Bloody hell I had just spent a great deal of money on what will certainly be a great sword… but, the more I thought about his swords made from iron sand the more I desired one.
I sold quite few things scraped together the 50% deposit and the job was started. If my wife ever finds out I will find out first hand how sharp the sword is!!!
I have always thought that with commissions from people like Patrick Barta, Jake Powning, Vince Evans, John Lundemo and other best of the best of the Western style smiths that the wisest thing is let them have freedom to make what they wanted to make as they are the artists.
I ordered a style from his website but said to him that is there was anything he wanted to do different, then I have complete faith that he will only release a sword that he is 100% happy with.