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Author Topic:   Karud
derek
Senior Member
posted 06-04-2003 07:48     Click Here to See the Profile for derek   Click Here to Email derek     Edit/Delete Message   Reply w/Quote
Hi all,
I found a Karud last night with rhino grips and what I think is an Indian wootz blade. The sheath looks to have been recovered at some point with something that I took to be fake suede, but after getting it home and looking closer I'm sure it's real, whatever it is.
Regards,
-d

the horn:

the wootz:

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tom hyle
Senior Member
posted 06-04-2003 12:27     Click Here to See the Profile for tom hyle   Click Here to Email tom hyle     Edit/Delete Message   Reply w/Quote
Beautiful. Can anyone draw me a meaningful distinction between karud and pesh-kabz? I think this is a pesh-kabz. I especially enjoy the reinforced edge. Sheath looks like it covers only the blade (not the handle); this would almost certainly make it either foreign (non-original) or altered, again; likely by a foreigner. Suede would be unusual; I'd've first suspected velvet. That is wootz/bulat; The piece is not Indian/Hindu, but probably Afghan (etc.), and the steel is probably also of "central Asian" origin (there's been some debunking concerning the idea that wootz/bulat is particularly Hindu). BTW, tang band? No tang band?

[This message has been edited by tom hyle (edited 06-04-2003).]

[This message has been edited by tom hyle (edited 06-04-2003).]

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derek
Senior Member
posted 06-05-2003 01:58     Click Here to See the Profile for derek   Click Here to Email derek     Edit/Delete Message   Reply w/Quote
Hi Tom,
Yes, there is a steel tang band. My guess is that the sheath had fittings at each end at one time but are long gone now. The fur that is covering it now is short, black and coarse, almost like a cow's coat, now that I think about it......
The reason I call this a karud (and it may not be the best criteria - open to comments here) is that while both should have a T-spine, the karud has a straight, non-sloping spine. A pesh should have a visible slope, correct? You can easily see the difference between a pesh and a choora. I see a karud as something like a choora with a pesh grip. Stone calls it a "straight-bladed peshkabz" (with no picture reference), so I guess it's almost splitting hairs!
Best regards,
-derek

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derek
Senior Member
posted 06-05-2003 04:41     Click Here to See the Profile for derek   Click Here to Email derek     Edit/Delete Message   Reply w/Quote
Tom,
Forgot to mention that I got this from a small shop in Sharjah (UAE) that was packed with Afghan jewelry. The young guy running it was indian, but he said the shop was new and the owner was from Afghanistan. Every other piece in the shop was Afghan, I'd be surprised if this wasn't.
-d

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tom hyle
Senior Member
posted 06-05-2003 14:20     Click Here to See the Profile for tom hyle   Click Here to Email tom hyle     Edit/Delete Message   Reply w/Quote
Aah; short, black fur; that reminds me of some Afghan hats.

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derek
Senior Member
posted 06-05-2003 15:59     Click Here to See the Profile for derek   Click Here to Email derek     Edit/Delete Message   Reply w/Quote
Never felt an aborted lamb fetus hide before - I'll ask a friend of mine from Kabul when he gets back. Now I'm just curious......

-d

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cylord21
Senior Member
posted 06-05-2003 16:36     Click Here to See the Profile for cylord21   Click Here to Email cylord21     Edit/Delete Message   Reply w/Quote
Agree on pesh kabz having a slope curved blade. Nice wootz blade on this one.

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tom hyle
Senior Member
posted 06-06-2003 14:32     Click Here to See the Profile for tom hyle   Click Here to Email tom hyle     Edit/Delete Message   Reply w/Quote
Interesting; thanks for the clarification. Is this (pesh vs. karud)a variation found within the same cultural groups, or is it a tribal/regional difference? Another interesting and somewhat rare (in my experience in N America) pesh kabz variant has a blade that curves only forward, with no recurve, for Euro-style wrist extension thrusting.

[This message has been edited by tom hyle (edited 06-06-2003).]

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Oliver
Senior Member
posted 06-06-2003 15:19     Click Here to See the Profile for Oliver   Click Here to Email Oliver     Edit/Delete Message   Reply w/Quote
As to whether or not wootz is "Hindu":

The key to understanding whether wootz is "Indian" or "Persian" is realizing that both designations are more or less meaningless the further back into history that you go.

What is now Iran and what is now Northwest India were historically one shifting and related cultural sphere. The language of the Gathas and the language of the Vedas is very closely related.

It is safer to say that early steel manufacture is characteristic of the Indo-Aryan peoples once of what is now Northwest India and Iran. The combination of the use of steel weapons and techniques of mounted warfare is classically Indo-Aryan.

The Indo-Europeans sprang from this group, and with sacred iron and steel, combined with chariots and mounts, they carried their herds and culture westward.

Nice blade. Should etch well.

Cheers,

Oliver

[This message has been edited by Oliver (edited 06-06-2003).]

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cylord21
Senior Member
posted 06-07-2003 11:24     Click Here to See the Profile for cylord21   Click Here to Email cylord21     Edit/Delete Message   Reply w/Quote
As complement to my previous post, a karud is the name for a straight-bladed pesh-kabz or vice versa (donīt know which one came first). Not shure but i think the recurved pesh-kabz have the influence of northern India and surroundings persian regions while the straight bladed karud have the influence of up north regions like Afghanistan. The choora, having a similar straight blade but with quite a different hilt is sort of a pesh-kabz or karud but made in the Khyber Mahsud tribe.

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tom hyle
Senior Member
posted 06-07-2003 14:13     Click Here to See the Profile for tom hyle   Click Here to Email tom hyle     Edit/Delete Message   Reply w/Quote
There has been an allegation (not sure what the basis of it is) that wootz (Hindu) is not entirely identical to bulat/pulad (Tartaric steel; though presumeably it was the tartaric "moghuls" who brought this technology to Hind; again; not sure what this distinction is supposed to be....). The blade seems to me to already be etched nicely. Were it unetched the pattern would almost cetainly not be visible; certainly not so consistantly visible.

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ham
Senior Member
posted 06-07-2003 18:14     Click Here to See the Profile for ham     Edit/Delete Message   Reply w/Quote
Gentlemen,
Handsome dagger indeed, Derek. It appears to have a distinct ladder pattern, not common in daggers at all. The matters under discussion here are essentially linguistic-- "wootz" was the common pronunciation of the Hindi term "ukku" in India, and there, the word wootz or its local variant, then as now, referred to a UHC (ultrahigh carbon) steel produced chemically in clay crucibles (as opposed to a pattern welded steel produced mechanically, by forging strips of differing types of iron and/or steel together), however this was a technical term. While in Persia the term pulad/fulad (the second reflects the Arabic pronunciation) was less tehcnical, it also referred specifically to UHC crucible steels. However, the Persian word "Johar" or jewel, was far more popular and poetic in both Persia and India, yet more problematic as it referred to damasked steels in general. This occurred because it was widely understood in period that blades were forged of wootz while gun barrels were pattern welded (yes, I am aware there are a trillion and one exceptions to the rule, it is simply a matter of cultural convention. In contemporary American terminology, we refer to those urban behemoths one sees in increasing numbers as Sports Utility Vehicles, while in essence they are neither.) As to there being any difference between wootz/ukku and pulad/fulad, there is none by technical comparison-- the Russian officer Anosoff duplicated a rather indifferent pulad in the first half of the 19th century, which he thought would be used for everything from sabers to shovels... it was not, but Russian acquired the word Bulat from pulad nonetheless. In short, the difference is again a matter of language.
Likewise the confusion over Karud and Pesh Qabz. The term Pesh Kabz (Pish Qabz in Persian) refers to a weapon held in a foregrip-- i.e., like a sword, not with the thumb folded over the pommel for a downward thrust as the khanjar was-- in this it was unusual and therefore merited linguistic specificity. Curvature, recurvature or a straight spine on these weapons are not indicated by their names-- they are regional forms. Karud is a Central Asian rendering of the term Kard which simply means a knife in Persian.
It is important, and occasionally comical, to bear in mind that excepting the realm of Japanese, and to a limited extent European, arms collecting, very little specific terminology which was used in period has been preserved and what has is hardly accessible to collectors. Terms like shamshir and kilic refer to any sort of sword in Persian and Turkish respectively; the word shashka would hardly be recognizable to the Circassians who originally named and popularized that weapon in the Caucasus, and between Morocco and the 'Asir the terms kummiyah and janbiyah never met. If modern collectors could manage to agree on what terminology does exist, we could count ourselves fortunate indeed.
Sincerely,
Ham

[This message has been edited by ham (edited 06-07-2003).]

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derek
Senior Member
posted 06-08-2003 09:36     Click Here to See the Profile for derek   Click Here to Email derek     Edit/Delete Message   Reply w/Quote
Hi Ham,
Thanks, it was the best find I've made here in the UAE. It's not the most unique piece, or the most valuable, but..........I got it for $28!!! No, that doesn't usually happen here, sellers usually know they can demand a lot more. I got lucky and found a new shop with a guy who knew nothing about the things he was selling. Hope he didn't get in trouble with his boss for it later!
Your comments about terminology strike home here. It's interesting that I have spoken to several Afghanis that have no clue what a choora is. They have them and sell them, but they don't know the term. But they have another term in Farsi that I had never heard. Many gulf arabs use khanjar when talking about an Omani style jambiya. I have an interesting book published in Suadi that uses the term Johar as an arabic word (noting your comments). Jim noted in another post that he has spoken to someone from Ethiopia that used saif/seif to describe what we would call a gorade or shotel. I know an amharic speaker from Ethiopia that calls all the different forms gorades. Most of my experience with collecting is related to my time here and talking with people. As for research, I have the basic books, a few (very few)specialized books, and I read these forums regularly. These conventions we use in the west are useful for collecting and discussion, but should certainly be applied with a certain caution.
Also, it's worth remembering that no place in the world is static. The terms used 100 years ago in different areas may not be used today. I don't go to a speakeasy to get a cold beer. Language evolves and things change as cultures and ethnic groups "collide" and often mix. I'm sure that the direct influence of the indian population here in the gulf has had an impact on the language. The use of "khanjar" is one of many examples. I haven't researched it, but I would expect that Stone's term "choora" came directly from the people's of the Khyber region. The people I know from Afghanistan today are speaking Farsi and ethnically distinguishable from those peoples, hence the reason they don't know the term. In the case of the Ethiopian using the term "saif", I'm betting that person is muslim or has been influenced by the muslim population in that area. The person I know is christian, speaks amharic, and is therefore familiar with the terms associated with the late 19th c./ early 20th c. Abyssinians.
I do not claim to be authoritative in writing this, so please feel free to correct or disagree. I don't usually run my mouth when surrounded by others who are better informed!
Regards,
-d

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tom hyle
Senior Member
posted 06-09-2003 14:22     Click Here to See the Profile for tom hyle   Click Here to Email tom hyle     Edit/Delete Message   Reply w/Quote
Thanks, Ham. The distinction I referred to was alleged by a person calling her-(I think)-self "Moltenmuse", who claims some depth of knowledge on the matter. A few years ago some Russians (?) were making bulat and marketting it (at least partially) for industrial/scientific/electronic uses based on its unusual electro-chemical properties.

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Oliver
Senior Member
posted 06-09-2003 14:51     Click Here to See the Profile for Oliver   Click Here to Email Oliver     Edit/Delete Message   Reply w/Quote
Tom: You are quite correct. The blade is already etched. I meant to suggest the pattern could be improved. Of course, you never know, and with a weapon that very likely still possesses its period etching it's best not to monkey with it.

Best,

Oliver

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ariel
Senior Member
posted 06-09-2003 17:09     Click Here to See the Profile for ariel   Click Here to Email ariel     Edit/Delete Message   Reply w/Quote
Ham is making a very interesting point:why is it that the "natives" often are totally unaware of the proper names of their swords? The same point was made recently in another thread, about the kaskaras.
Is it because we, Western collectors, are very much concerned with the minutiae of classification, cataloging and compartmentalization whereas they are actually using the bloody things and are interested in them from the purely practical point of view (large knife vs. small knife)?
In other words, a difference between theoretical observers and practical users.
Or, perhaps, we are well behind the curve, still learning from the Stone's book whereas the natural course of history simplified the terminology?
Would the Japanese preserve their intricate sword terminology had they been actively using them?
Perhaps, the kris collectors can tell us whether regular Indonesians (not empus, of course!) are still aware of the names for each nook and cranny and the inexhusible variety of krises?
I have a sneaking suspicion that we live in a kind of cultural shell, a frozen state of artificial history... Don't take me wrong, I love it here! Nevertheless, the idea that we can explain to the native Sudanese that his national sword should properly be called "kaskara" while he would look at us incomprehensibly and call it "saif" (which is a generic Arabic name for a sword), is fairly comical to me.

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ham
Senior Member
posted 06-10-2003 12:12     Click Here to See the Profile for ham     Edit/Delete Message   Reply w/Quote
Gentlemen,
Under the thread regarding crocodile bits adorning kaskaras, I noted in closing their appeal as tourist items to "the Orientalist perceptions of those who invaded the Sudan a century ago." Unexpectedly Ariel has provided an excellent example of the Orientalist mindset above, which is worthy of note:

"why is it that the "natives" often are totally unaware of the proper names of their swords?"

Is he serious in his outlook? Clearly, his approach is amiably light-hearted. If serious, his line of reasoning arrogates to itself a dangerous sort of intellectual authority. It asks, "Why don't the Khyberis know the proper name of their dagger is choora?" and "Why don't the Moros know the proper name of their sword is kris?" Spun in a political context, such simple questions have had exceptionally far-reaching consequences for several of the cultures commonly under discussion on this forum: "Why were the Plains Indians/Circassians/Tibetans/Palestinians unaware they were on our land?"
It is the responsibility of the serious student of arms and armor to respect the methods of use, the forms and the names of the weapons under discussion. Ask the far more compelling question, "Why have we come to know the weapons of a given culture by names which they themselves did not use?"
One need not delve into etymological or linguistic research in order to learn about weapons and the cultures from which they came, however I believe forum members will agree that among current threads the most interesting and best written (notably those regarding Indonesian weapons) stress these very issues.
The observation,
"Or, perhaps, we are well behind the curve, still learning from the Stone's book whereas the natural course of history simplified the terminology?"
takes a rueful and inactive perspective, denying the duty of a serious arms student to research, by arguing that history has simplified terminology like water smoothing stones in a riverbed. As collectors and students, we constantly observe that body of water. It is our responsibility to remove and study such stones as interest us from it before they are lost.
The question "Would the Japanese preserve their intricate sword terminology had they been actively using them?" is best left to a Japanese sword forum to dissect, though I hope ethnic sword forum members with even a passing knowledge of Japanese arms and traditions will recall that the Japanese evolved and applied an extensive terminology to their weapons as they valued them highly--a natural consequence of living and perishing by them as recently as the mid-20th century.
The purpose of the foregoing has been to point out a traditional yet historically-skewed perspective most generally shared by empires and the empire-minded, with fellow forum members as it has impacted (and continues to impact) many of the cultures of interest to them. Whether Ariel has composed what he believes to be valid reasoning or a clever joke, he has effectively conveyed an important and enduring perspective for which I thank him.
Finally, he is quite correct in observing, "I have a sneaking suspicion that we live in a kind of cultural shell, a frozen state of artificial history... Don't take me wrong, I love it here! Nevertheless, the idea that we can explain to the native Sudanese that his national sword should properly be called "kaskara" while he would look at us incomprehensibly and call it "saif" (which is a generic Arabic name for a sword), is fairly comical to me."
Bravo, Ariel. Recognizing the shell, and breaking out of it on occasion is pretty comical too. Not to mention informative and exhilirtating.
Sincerely,

Ham

[This message has been edited by ham (edited 06-10-2003).]

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ariel
Senior Member
posted 06-10-2003 19:07     Click Here to See the Profile for ariel   Click Here to Email ariel     Edit/Delete Message   Reply w/Quote
Ham,
Thanks for a spirited and informed reply to my almost tongue-in-cheek question.
As you can guess from the last sentence in my comment, I bear neither imperialistic ambitions nor Eurocentric superiority (otherwise, why collecting Oriental swords?).
Cultures evolve and , sadly, this process is often accompanied by simplifications. I would guess that 50 years from now (maybe even now!) the Inuits will forget their 30 (or is it 300?) words defining various subtypes of snow. Those will be remembered and preserved only by professional philologists and anthropologists(kind of like us, the sword collectors....). The Italian luthiers like Amati and Stradivari knew minute details of violin making and infinite varieties of materials, forms, curlicues etc.; modern Japanese companies manufacture thousands of identical violins using computer design. Individuality, peculiarity and infinite variety of things are not valued very much in the modern world.
Are we fighting a losing "last ditch" battle for the honor and glory of old swords of all tribes and nations? I sincerely hope so.Should we insist on preserving their peculiar and unpronounceable names even though the descendants of their original makers and owners do not give a damn about them anymore and prefer automatic bread slicer to a Yataghan? You betcha!

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VANDOO
Senior Member
posted 06-12-2003 22:18     Click Here to See the Profile for VANDOO   Click Here to Email VANDOO     Edit/Delete Message   Reply w/Quote
IT IS INDEED A PARADOX THAT THOSE WHO STUDY ETHINOGRAPHIC WEAPONS FROM THE HISTORICAL PERSPECTIVE AND THOSE WHO STILL CARRY THEM OFTEN DON'T USE THE SAME NAMES FOR THEM.

WE USUALLY STUDY THE TIMES WHEN WEAPONS WERE MOST IMPORTANT AND OF THE BEST QUALITY. THE CULTURE PLACED MUCH MORE IMPORTANCE AND PRESTIEGE IN EDGED WEAPONS AND GAVE THEM HONORABLE NAMES. TODAYS WARRIOR MIGHT STILL CARRY A EDGED WEAPON BUT WOULD VALUE HIS AK47 AND ROCKET LAUNCHER MUCH MORE SO THE EDGED WEAPON WOULD NOT BE IMPORTANT ENOUGH FOR A HONORABLE NAME.

MANY OF THE NAMES WE USE FOR THINGS ARE A DEAD LANGUAGE TO THE DESENDENTS OF THE CULTURES WE STUDY. THERE MAY ALSO HAVE BEEN MISTAKES MADE BY EARLIER RESEARCHERS OF THE TRIBAL NAMES OF WEAPONS WHICH HAVE BEEN PASSED DOWN THRU BOOKS.

THIS KEEPS IT INTERESTING AND WE WILL HAVE TO DO THE BEST WE CAN WITH THE INFORMATION AVAILABLE. THIS FORUM HELPS, IN THAT THE KNOWLEGE SOME OF US SHARE WON'T DIE WITH US AS HAS HAPPENED IN THE PAST AND STILL HAPPENS TODAY. SO WE STRIVE TO PRESERVE THE LANGUAGE ,CUSTOMS AND STORYS AS WELL AS THE ACTUAL WEAPONS FROM THEIR GOLDEN AGES FOR THE FUTURE. WE ALSO STUDY WHAT IS CURRENTLY HAPPENING TO EDGED WEAPONS IN THOSE CULTURES TODAY.

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BluErf
Senior Member
posted 06-13-2003 01:15     Click Here to See the Profile for BluErf   Click Here to Email BluErf     Edit/Delete Message   Reply w/Quote
Pardon my ignorance, but I thought the grips look like some other sort of horn rather than rhino. The grain seems too fine to be rhino. Also, the colour seems a bit too dark and reddish. Usually I thought it is yellow-brownish or black-brownish, depending on the species. Correct me if I'm wrong.

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ham
Senior Member
posted 06-15-2003 16:09     Click Here to See the Profile for ham     Edit/Delete Message   Reply w/Quote
BluErf,
Quite correct, those grips are horn, probably ox. Rhino is generally a golden color, though it turns darker with age and wear. The most distinctive characteristic of rhino horn is the grain-- "hairs" which are quite visible regardless of age or color. Often, but not always, translucent to a degree as well.
Sincerely,
Ham

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derek
Senior Member
posted 06-16-2003 00:43     Click Here to See the Profile for derek   Click Here to Email derek     Edit/Delete Message   Reply w/Quote
The grips are a somewhat lighter shade than the pics caught. Does the gold go slightly reddish with time? I say rhino because I have a khyber with identical material that Artzi ID'd as rhino some time ago. It may be something else too.
Where is a good* pic of rhino for comparison?
-d

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